The distinctive iconography of Saul Leiter's earliest black-and-white photographs stems from his profound response to street life in 1940s and 50s New York City. While Leiter's technique borrowed from the immediacy of photo-documentary work, his imagery was generated by subjective and highly individual reactions to the people and places he encountered. The mystery of the city propelled his art, and poignant moments of human experience filled it: Leiter was a Magic Realist with a camera. He tended to work in series, and Saul Leiter: Early Black and White contains 100 remarkable photographs grouped under 10 thematic headings, ranging from the radically innovative to moving urban nostalgia.
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只要那个人下笔写了，一个悍匪，也是那个人的悍匪。他文弱，悍匪就有文弱气，他火爆，悍匪就强硬性急。正是这样，无论室内外，片子都流淌出安静悠远。
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评分第一卷氛围迷人。第二卷街头景象太多太杂，拍不出 Saul 想要的「感觉」，又丢失了街头流动的气质，看得出来黑白摄影在某些方面确有局限。 不过，early black and white 时期的部分佳作依然看得出与其彩色时期一脉相承的氛围。不犀利，不刻意，又有温度在暗处涌动。
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