Italian Painters of the Renaissance 在線電子書 圖書標籤: BernardBerenson  藝術史  文藝復興藝術史   

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Berenson's view of the criticism and connoisseurship of art is that the study aims at the specific ideas embodied in works of art which might be produced by the geniuses through the ages, in the course of the struggle there are two canons run parallel: tactile value and movement, and the coordination of them could arouse kind of ideated feelings.

Berenson's view of the criticism and connoisseurship of art is that the study aims at the specific ideas embodied in works of art which might be produced by the geniuses through the ages, in the course of the struggle there are two canons run parallel: tactile value and movement, and the coordination of them could arouse kind of ideated feelings.

Berenson's view of the criticism and connoisseurship of art is that the study aims at the specific ideas embodied in works of art which might be produced by the geniuses through the ages, in the course of the struggle there are two canons run parallel: tactile value and movement, and the coordination of them could arouse kind of ideated feelings.

Berenson's view of the criticism and connoisseurship of art is that the study aims at the specific ideas embodied in works of art which might be produced by the geniuses through the ages, in the course of the struggle there are two canons run parallel: tactile value and movement, and the coordination of them could arouse kind of ideated feelings.

A cool book with many insights (e.g., many florentine painters are attracted to art because of the science of perspective; the few geniuses really capture figure painting (e.g., Giotto and Masaccio).