During the fifteenth century, Florence emerged as one of Europe's most important city-states. This fresh and insightful book investigates the fascinating intersection of art, politics, and gender in the public sphere of Florence at this time. Adrian W. B. Randolph identifies a pivotal moment in the history of public art when Florentines visually encoded political and social relations within gendered categories. Randolph shows how "engaging" political symbols were grounded in a revolutionary way in amorous discourses that drew on metaphors of affection, desire, courtship, betrothal, marriage, homo- and hetero-eroticism, and procreation. This book emphasizes the sculpture of Donatello and the Medici family's efforts to seek legitimacy through artistic patronage. To characterize the political function of art, however, the book also encompasses a broad array of media-including paintings by Botticelli, portrait medals, and especially engravings-and tracks a number of important political developments. During the course of the fifteenth century, as tensions grew between Florence's explicit republicanism and a waxing politics of personal charisma, art was employed to alleviate the uneasiness, Randolph argues. First an oligarchical government and then three generations of Medici rulers, recognizing the importance of political appearances, carefully crafted images of themselves, their city, and the consensual relation they imagined existing between the two. Randolph casts new light on these artistic practices to arrive at a new and convincing view of the connections among politics, gender, and art in quattrocento Florence.
具体描述
读后感
评分
评分
评分
评分
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有