From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia. For critics and fans alike, these films defined an era.
The Philosophy of Film Noir explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explore the philosophical underpinnings of classic films such as The Big Sleep (1946), Out of the Past (1947), and Pulp Fiction (1994). They show how existentialism and nihilism dominate the genre as they explore profound themes in a vital area of popular culture.
具体描述
读后感
评分
评分
评分
评分
用户评价
好书，好书，醍醐灌顶，论对论文贡献程度可以名列三甲。
评分好书，好书，醍醐灌顶，论对论文贡献程度可以名列三甲。
评分好书，好书，醍醐灌顶，论对论文贡献程度可以名列三甲。
评分好书，好书，醍醐灌顶，论对论文贡献程度可以名列三甲。
评分好书，好书，醍醐灌顶，论对论文贡献程度可以名列三甲。
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有