大衛·林奇(David Lynch),美國最具個人色彩的導演之一。1946年生於美國濛大拿州,兒時的夢想是成為書畫刻印藝術傢,但最著名的身份卻是導演。他的電影華麗而詭異,但主題隱晦壓抑,深具拉美魔幻小說的超現實主義氣質,代錶作如《穆赫蘭道》與《藍絲絨》等,都著力於日常生活遮掩下的人性荒誕與失控的展示,它們都是林奇觀察力與想象力的産物。在鏡頭背後,林奇首先是一個富有創見的旁觀者與思想傢。
In this rare work of public disclosure, filmmaker David Lynch describes his personal methods of capturing and working with ideas, and the immense creative benefits he has experienced from the practice of meditation <br/><br/> Over the last four decades, David Lynch has created some of the best-known and widely discussed screen works of our time. This distinctive writer-director's art bears not only the mark of box-office success but also criticalacclaim and cultural posterity. <br/><br/> Yet Lynch generally reveals little of himself, or the ideas behind his work. Now he provides a rare window into his methods as an artist and his personal working style. In Catching the Big Fish, Lynch writes candidly about the tremendous creative benefits he has gained from his thirty-two-year commitment to practicing Transcendental Meditation. <br/><br/> In brief chapters, Lynch describes the experience of "diving within" and "catching" ideas like fish-and then preparing them for television or movie screens, and other mediums in which Lynch works, such as photography and painting. <br/><br/> In the book's first section, Lynch discusses the development of his ideas-where they come from, how he grasps them, and which ones appeal to him the most. He then shares his passion for "the doing"-whether moviemaking, painting, or other creative expressions. Lynch talks specifically about how he puts his thoughts into action and how he engages with others around him. Finally, he discusses the self and the surrounding world -and how the process of "diving within" that has so deeply affected his own work can directly benefit others. <br/><br/> Catching the Big Fish provides unprecedented insight into Lynch's methods, as it also offers a set of practical ideas that speak to matters of personal fulfillment, increased creativity, and greater harmony with one's surroundings. <br/><br/> The book comes as a revelation to the legion of fans who have longed to better understand Lynch's deeply personal vision. And it is equally intriguing to anyone who grapples with questions such as: "Where do ideas come from?" and "How can I nurture creativity?
今天边打吊针,边把这本书看完了。很东方思维的一本书,对于普通的读者可能应该改名为“愿者上钩”,因为大卫·林奇再次絮絮叨叨地什么也没讲,正如他在“橡皮头”一篇中所谈到的,他在《圣经》中找到了让他醍醐灌顶tíhúguàndǐng 的一句话,但是“我永远也不会说是哪个...
評分都是短小的文章,读起来不费力。但是他推崇超觉静坐的方式和他的每一部电影联系起来,让人难以接受这像广告词一样的文字。 大卫林奇的创意之道很难不让人觉得就是指超觉静坐。 我决定以后在创作之前多试试。 他或许觉得这确实是静坐带给他的好处,可是观众和读者想要的不是一...
評分 評分 評分在屋内 在屋外 努力做事情 安静的什么都不做 找女人 一个人 思考 行动 (习惯于这个状态,那么你可以换一种状态) 林奇说静心可以找到那些灵感。的确,安静先让自己的心安静下来,在去看看需要什么。 其实写写日志、睡睡觉、吃吃饭等都可以是一种方式。
Lynch在二三十年超覺靜坐之後的點滴感懷。結構類道德經。audiobook,150分鍾。
评分文字淺平有如在與David Lynch對話。而。無非半本書的雞湯與冥想安利。
评分Lynch在二三十年超覺靜坐之後的點滴感懷。結構類道德經。audiobook,150分鍾。
评分創作的深淵。其實林奇在書中說的,Z很早之前也提到過。
评分Lynch在二三十年超覺靜坐之後的點滴感懷。結構類道德經。audiobook,150分鍾。
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