Christian Henriot, Ph.D. (1983) is Professor of Chinese history at University of Lyon and currently a Senior Research Fellow at the Institut Universitaire de France. He is the author and editor of several books, including Prostitution and Sexuality in Shanghai, 1849-1949 (Cambridge UP, 2001) and In the Shadow of the Rising Sun (Cambridge UP, 2004). His latest project is an online research and resource platform on Shanghai history (http://virtualshanghai.net).
Wen-hsin Yeh, Ph.D. (1984) is Richard H. & Laurie C. Morrison Chair Professor in History and Walter & Elise Haas Chair Professor in Asian Studies & Director, Institute of East Asian Studies, University of California at Berkeley. She is the author of Shanghai Splendor (University of California Press, 2007), and over a dozen other books and edited volumes. Her current project is an intellectual history of modern China that takes into account issues of space, gender, ethnicity.
How does China project its image in the world? Why and how has the world come to form certain impressions of the Chinese and their way of life? These are issues that preoccupy Chinese citizens in the globalizing 21st century as they travel overseas, riding on the capacity of the country’s newly acquired economic power. In Visualizing China, the authors join forces to launch a broader inquiry aimed at a synergistic understanding of the larger story of visuality in modern China. The essays cluster around several nodal points including photographs, advertising, posters and movies, spanning … read morefrom the 1840s to the 1960s, and devote special attention to modern Chinese practices in the visualization of things Chinese.
Joan Judge, “Portraits of Republican Ladies: Early Twentieth century Chinese photographs”, Visualizing China, 1845-1965, pp.131-170. 在本章節中,作者將攝影資料作為歷史證據,從攝影的主題和內容來理解20世紀初民國歷史。作者認為,攝影不僅是民國初年的新社會...
评分Joan Judge, “Portraits of Republican Ladies: Early Twentieth century Chinese photographs”, Visualizing China, 1845-1965, pp.131-170. 在本章節中,作者將攝影資料作為歷史證據,從攝影的主題和內容來理解20世紀初民國歷史。作者認為,攝影不僅是民國初年的新社會...
评分Joan Judge, “Portraits of Republican Ladies: Early Twentieth century Chinese photographs”, Visualizing China, 1845-1965, pp.131-170. 在本章節中,作者將攝影資料作為歷史證據,從攝影的主題和內容來理解20世紀初民國歷史。作者認為,攝影不僅是民國初年的新社會...
评分Joan Judge, “Portraits of Republican Ladies: Early Twentieth century Chinese photographs”, Visualizing China, 1845-1965, pp.131-170. 在本章節中,作者將攝影資料作為歷史證據,從攝影的主題和內容來理解20世紀初民國歷史。作者認為,攝影不僅是民國初年的新社會...
评分Joan Judge, “Portraits of Republican Ladies: Early Twentieth century Chinese photographs”, Visualizing China, 1845-1965, pp.131-170. 在本章節中,作者將攝影資料作為歷史證據,從攝影的主題和內容來理解20世紀初民國歷史。作者認為,攝影不僅是民國初年的新社會...
Obscene Vignettes of Truth:Construing Photographs of Chinese Executions as Historical Documents - Jérôme Bourgon
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评分Obscene Vignettes of Truth:Construing Photographs of Chinese Executions as Historical Documents - Jérôme Bourgon
评分Obscene Vignettes of Truth:Construing Photographs of Chinese Executions as Historical Documents - Jérôme Bourgon
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