From the Modern Library’s new set of beautifully repackaged hardcover classics by William Faulkner—also available are Snopes, As I Lay Dying, The Sound and the Fury, Light in August, and Selected Short Stories
First published in 1936, Absalom, Absalom! is William Faulkner’s ninth novel and one of his most admired. It tells the story of Thomas Sutpen and his ruthless, single-minded attempt to forge a dynasty in Jefferson, Mississippi, in 1830. Although his grand design is ultimately destroyed by his own sons, a century later the figure of Sutpen continues to haunt young Quentin Compson, who is obsessed with his family legacy and that of the Old South. “Faulkner’s novels have the quality of being lived, absorbed, remembered rather than merely observed,” noted Malcolm Cowley. “Absalom, Absalom! is structurally the soundest of all the novels in the Yoknapatawpha series—and it gains power in retrospect.” This edition follows the text of Absalom, Absalom! as corrected in 1986 under the direction of Faulkner expert Noel Polk and features a new Foreword by John Jeremiah Sullivan.
William Faulkner was born in New Albany, Mississippi, on September 25, 1897. He published his first book, The Marble Faun (a collection of poems), in 1924, and his first novel, Soldier's Pay, in 1926. In 1949, having written such works as Absalom, Absalom!, As I Lay Dying, Light in August, and The Sound and the Fury, Faulkner was awarded the Nobel Prize for Literature. He also received the Pulitzer Prize for two other novels, A Fable (1954) and The Reivers (1962). From 1957 to 1958 he was Writer-in-Residence at the University of Virginia. He died on July 6, 1962, in Byhalia, Mississippi.
Biography
William Faulkner was born in New Albany, Mississippi, on September 25, 1897. His family was rooted in local history: his great-grandfather, a Confederate colonel and state politician, was assassinated by a former partner in 1889, and his grandfather was a wealth lawyer who owned a railroad. When Faulkner was five his parents moved to Oxford, Mississippi, where he received a desultory education in local schools, dropping out of high school in 1915. Rejected for pilot training in the U.S. Army, he passed himself off as British and joined the Canadian Royal Air Force in 1918, but the war ended before he saw any service. After the war, he took some classes at the University of Mississippi and worked for a time at the university post office. Mostly, however, he educated himself by reading promiscuously.
Faulkner had begun writing poems when he was a schoolboy, and in 1924 he published a poetry collection, The Marble Faun, at his own expense. His literary aspirations were fueled by his close friendship with Sherwood Anderson, whom he met during a stay in New Orleans. Faulkner's first novel, Soldier's Pay, was published in 1926, followed a year later by Mosquitoes, a literary satire. His next book, Flags in the Dust, was heavily cut and rearranged at the publisher's insistence and appeared finally as Sartoris in 1929. In the meantime he had completed The Sound and the Fury, and when it appeared at the end of 1929 he had finished Sanctuary and was ready to begin writing As I Lay Dying. That same year he married Estelle Oldham, whom he had courted a decade earlier.
Although Faulkner gained literary acclaim from these and subsequent novels -- Light in August (1932), Pylon (1935), Absalom, Absalom! (1936), The Unvanquished (1938), The Wild Palms (1939), The Hamlet (1940), and Go Down, Moses (1942) -- and continued to publish stories regularly in magazines, he was unable to support himself solely by writing fiction. he worked as a screenwriter for MGM, Twentieth Century-Fox, and Warner Brothers, forming a close relationship with director Howard Hawks, with whom he worked on To Have and Have Not, The Big Sleep, and Land of the Pharaohs, among other films. In 1944 all but one of Faulkner's novels were out of print, and his personal life was at low ebb due in part to his chronic heavy drinking. During the war he had been discovered by Sartre and Camus and others in the French literary world. In the postwar period his reputation rebounded, as Malcolm Cowley's anthology The Portable Faulkner brought him fresh attention in America, and the immense esteem in which he was held in Europe consolidated his worldwide stature.
Faulkner wrote seventeen books set in the mythical Yoknapatawpha County, home of the Compson family in The Sound and the Fury. "No land in all fiction lives more vividly in its physical presence than this county of Faulkner's imagination," Robert Penn Warren wrote in an essay on Cowley's anthology. "The descendants of the old families, the descendants of bushwhackers and carpetbaggers, the swamp rats, the Negro cooks and farm hands, the bootleggers and gangsters, tenant farmers, college boys, county-seat lawyers, country storekeepers, peddlers--all are here in their fullness of life and their complicated interrelations." In 1950, Faulkner traveled to Sweden to accept the 1949 Nobel Prize for Literature. In later books--Intruder in the Dust (1948), Requiem for a Nun (1951), A Fable (1954), The Town (1957), The Mansion (1959), and The Reivers (1962) -- he continued to explore what he had called "the problems of the human heart in conflict with itself," but did so in the context of Yoknapatawpha's increasing connection with the modern world. He died of a heart attack on July 6, 1962.
寒假前看了一半,两个月以后回来,把剩下的一半看完。很多情节和细节已经忘掉,只有在后文不断解谜中回想。 这是托马斯•萨德本想要成为具有高上等级的人,而付诸努力的一辈子。在某一天,当他因为阶级低下而被黑人奴隶拒之门外,告知要从后门进入时,他仓皇失措与绝望。他终...
评分看过得福克纳的第一本书。 当年看乔伊斯的《尤利西斯》都没觉得这么拗口难懂= =。 押沙龙是《圣经 旧约》里一闪而过的人物,出现在撒母耳记下篇。 哥哥押沙龙与妹妹他玛是一个妈生的。哥哥暗嫩是另一个妈生的。三个娃的父亲都是大卫。 暗嫩暗恋他玛,最终使计玷污了他玛。 押...
评分————标题致敬《康拉德的黑暗和我的黑暗》 福克纳在现在和可以预见一段时间的未来都是我的“不用管为什么就是读就对了”列表中的作家了,在读完押沙龙押沙龙之后。 喧哗与躁动是躺着读的,我弥留之际是坐着读的,押沙龙押沙龙就得站着读。 ————你问我为什么? 拧巴感的...
评分一 解构主义者从能指与所指的断裂出发, 深入探讨了语言表意和交际功能的局限性, 从而来否定和消解权威、中心及传统。笔者的兴趣并不在此, 笔者关心的是, 如果依照解构主义者所说, 能指与所指之间的关系断裂, 《押沙龙, 押沙龙!》中的塞德潘这个“语言符号”怎样找到它的意义? ...
评分《押沙龙,押沙龙》 这大概是我看过最复杂的小说,用了三天,难以想象的艰难。看的第三本福克纳,这是一个拒绝读者进入的作家,或者用莫言的话来说,这是一部伟大的小说,“伟大的长篇小说,没有必要像宠物一样遍地打滚,也没有必要像猎狗一样结群吠叫。它应该是鲸鱼,在深海里...
这部小说的语言运用达到了令人惊叹的境界,它不是用来讲故事的,它本身就是一种存在。那些复杂的从句,那些不合时宜的停顿,仿佛是作者在模仿心跳和呼吸的节奏。它成功地营造了一种挥之不去的、近乎哥特式的氛围,即使你读到的是阳光明媚的午后场景,空气中也弥漫着腐朽和秘密的气息。我尤其欣赏它处理时间的方式,时间在这里不是线性的河流,而是黏稠的、可以被反复挤压和重塑的物质。读到关键的转折点时,你必须后退几步,重新审视前面所有看似无关紧要的细节,你会发现一切都是精心布局的谶语。
评分坦白说,一开始我非常挣扎。角色的名字不断变化,讲述者不断切换视角,仿佛你在看一场多幕剧,但每幕剧的布景都在快速移动,你看不清主演的脸。但是,一旦你放弃了对清晰叙事线的追求,开始沉浸于那种集体记忆和集体遗忘的氛围中,作品的魅力才真正显现出来。它像是一场盛大的、充满鬼魂的宴会,你被邀请去见证那些注定要走向毁灭的激情与傲慢。它探讨了雄心壮志如何在理想主义的狂热中,最终蜕变成一场灾难。它让你思考,一个人的意志力究竟能走多远,以及当这种意志力触碰到社会和时间坚硬的壁垒时,会产生何等惨烈的后果。
评分我读完后感到一种深刻的疲惫,但那是一种被极度充实后的满足感。这本书探讨的不仅仅是某个家族的兴衰,它更像是对“南方”这一概念本身的一次深层解剖。那种根深蒂固的荣誉感、对过去的执念,以及随之而来的道德困境,被描绘得淋漓尽致,甚至有些令人不寒而栗。它挑战了我们对传统叙事的接受度,让你不得不质疑:我们所相信的故事,究竟有多少是建构出来的,又有多少是无可辩驳的事实?每一次情感的高潮都伴随着某种巨大的结构性崩塌,无论是物理上的建筑,还是精神上的信念。阅读过程本身就是一场对耐心的考验,但这种被考验后的收获是巨大的,它迫使你审视自己对于“遗产”和“命运”的理解。
评分这部作品的叙事结构简直是一座迷宫,每一次深入,都像是在剥开层层叠叠的旧照片,每一张都模糊不清,却又带着某种令人心悸的真实感。作者仿佛并不急于给我们一个清晰的答案,而是沉迷于描摹记忆的碎片和不同讲述者之间的微妙冲突。你得屏住呼吸,仔细分辨谁在美化历史,谁又在扭曲真相。那种感觉,就像你站在一个宏伟的、半毁的庄园前,试图从残垣断壁中想象它昔日的辉煌,以及导致它衰败的那些不可言喻的悲剧。文字的密度极高,你需要反复咀嚼那些冗长而华丽的句子,它们像藤蔓一样缠绕着情节,有时让你感到窒息,但一旦你适应了这种节奏,便会发现其中蕴含着一种近乎史诗般的力量。它不是一本可以轻松消遣的书,它要求你投入全部的心神,去感受那种历史的重量和人性的复杂。
评分这本书的后劲太大了,以至于我合上封皮后,世界仿佛都染上了一层褪色的滤镜。它不仅仅是一个关于南方贵族没落的故事,它更像是一份关于“创造神话”的深入研究报告。我们看到一个人物如何试图用超乎寻常的意志力去对抗既定的现实,去塑造他眼中“应该存在”的世界。这种近乎于僭越的行为,必然招致毁灭性的反噬。作者笔下的南方,不是田园牧歌,而是一个充满着无法言说的禁忌和沉重遗产的囚笼。整部作品充满了对崇高与卑劣、完美与残缺之间界限的哲学思辨,读完后你很难用简单的“好”或“坏”来评价任何一个角色,因为他们都太像我们自己——挣扎在理想与现实的夹缝中。
评分一个朋友非常喜欢的作品,是本全英文书原版,书名中没有“押沙龙、押沙龙”这两句,作品的主题我很喜欢,有点和《百年孤独》一样的感觉,又有点想《飘》的那种感觉。都给人一种历史感。
评分一个朋友非常喜欢的作品,是本全英文书原版,书名中没有“押沙龙、押沙龙”这两句,作品的主题我很喜欢,有点和《百年孤独》一样的感觉,又有点想《飘》的那种感觉。都给人一种历史感。
评分一个朋友非常喜欢的作品,是本全英文书原版,书名中没有“押沙龙、押沙龙”这两句,作品的主题我很喜欢,有点和《百年孤独》一样的感觉,又有点想《飘》的那种感觉。都给人一种历史感。
评分万恶的意识流...
评分一个朋友非常喜欢的作品,是本全英文书原版,书名中没有“押沙龙、押沙龙”这两句,作品的主题我很喜欢,有点和《百年孤独》一样的感觉,又有点想《飘》的那种感觉。都给人一种历史感。
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