Since 1997, Hannah Starkey has been producing photographic meditations on contemporary life. The first were staged scenarios based on the experiences of young women living in the city, meticulously constructed, with cinematic suggestions of a narrative artificially suspended in time. Her more recent work, both technically and compositionally more advanced, sets up tension between the real and the imaginary, and draws attention to the banality and dehumanizing effects of the constructed environments in which we lead so much of our lives. Her close observation of the urban landscape can make surfaces--a wall, an air-conditioning duct, a runway--relevant subjects in themselves. Her development has played off of some swift, subtle shifts in contemporary photography in the past decade. This book, her first, covers 10 years' work.
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尾声有一部分不太好……或者说，不太统一
评分还是不喜欢太硬朗的风格。书也偏重技术。后面部分与摄影师的对话，有的没的，不像很重要，没仔细读。不是书不好，是不合我口味。
评分尾声有一部分不太好……或者说，不太统一
评分有些挺妙的 也没有落入stage photography的俗套
评分还是不喜欢太硬朗的风格。书也偏重技术。后面部分与摄影师的对话，有的没的，不像很重要，没仔细读。不是书不好，是不合我口味。
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