菲利普·羅斯（Philip Roth），齣生於美國新譯西州紐瓦剋市的一個中産階級猶太人傢庭，1954年畢業於賓夕法尼亞州巴剋內爾大學，1955年獲芝加哥大學文學碩士學位後留校教英語，同時攻讀博士學位，但在1957年放棄學位學習，專事寫作，以小說《再見吧，哥倫布》（1959）一舉成名（該書獲1966年美國全國圖書奬）。羅斯1960年到愛荷華大傢作傢班任教，兩年後成為普林斯頓大學的駐校作傢。他還在賓夕法尼亞大學擔任過多年的比較文學課程教學，於1992年退休後繼續寫作。羅斯的作品深受讀者和批評傢的青眯，獲奬頗多，其中包括美國猶太人書籍委員會的達洛夫奬、古根海姆奬、歐·亨利小說奬和美國文學藝術院奬，他本人也在1970年被選為美國文學藝術院院士。其主要獲奬作品還有《遺産》（1991）（獲全國書評傢協會奬），《夏洛剋戰役》（1993）（獲福剋納奬），《薩巴斯劇院》（1995）（獲全國圖書奬），《美國牧歌》（獲1998年普利策小說奬）。

羅斯的小說創作風格多變、主題選擇廣泛，引起批評界普遍爭論的小說有以性意識與猶太特性相結閤的《波特諾伊的怨訴》（1969）、與卡夫卡的《變形記）如齣一轍的荒誕小說《乳房》（1972）。

The last ordeal of Nathan Zuckerman, the indomitable literary adventurer of Roth's nine Zuckerman books, like Rip Van Winkle returning to his hometown to find that all has changed, Nathan Zuckerman comes back to New York, the city he left eleven years before. Alone on his New England mountain, Zuckerman has been nothing but a writer: no voices, no media, no terrorist threats, no women, no news, no tasks other than his work and the enduring of old age.

Walking the streets like a revenant, he quickly makes three connections that explode his carefully protected solitude. One is with a young couple with whom, in a rash moment, he offers to swap homes. They will flee post-9/11 Manhattan for his country refuge, and he will return to city life. But from the time he meets them, Zuckerman also wants to swap his solitude for the erotic challenge of the young woman, Jamie, whose allure draws him back to all that he thought he had left behind: intimacy, the vibrant play of heart and body.

The second connection is with a figure from Zuckerman's youth, Amy Bellette, companion and muse to Zuckerman's first literary hero, E. I. Lonoff. The once irresistible Amy is now an old woman depleted by illness, guarding the memory of that grandly austere American writer who showed Nathan the solitary path to a writing vocation.

The third connection is with Lonoff's would-be biographer, a young literary hound who will do and say nearly anything to get to Lonoff's "great secret." Suddenly involved, as he never wanted or intended to be involved again, with love, mourning, desire, and animosity, Zuckerman plays out an interior drama of vivid and poignant possibilities.

Haunted by Roth's earlier work The Ghost Writer, Exit Ghost is an amazing leap into yet another phase in this great writer's insatiable commitment to fiction.

<span class="h1"><strong>Exit Zuckerman: Talking with Philip Roth</strong></span>

<img src="http://g-ec2.images-amazon.com/images/G/01/books/a-plus/Roth_Philip2_140h.jpg" border="0" align="right"> When we talked with Philip Roth for the Amazon Wire podcast, we asked him about his long relationship with his fictional surrogate, Nathan Zuckerman, his decision to bring Zuckerman back (and say goodbye to him) in Exit Ghost, and the difficulties of aging for novelists, and we managed to touch on George Plimpton, Annie Dillard, Grace Paley, and The Tempest, along with nearly all of the nine Zuckerman books. You can listen to interview in the podcast above, or read the full transcript.

<span class="h1"><strong>Zuckerman Returns to Manhattan: Philip Roth Reads from Exit Ghost</strong></span>

When Nathan Zuckerman returns to Manhattan from his self-imposed rural retreat for the first time in 11 years in Exit Ghost, what does he find? Along with his surprising and unsettling encounters with an aged and ill woman who had once been a young mystery to him, an aggressive biographer who won't take no for an answer, and an alluring young writer who tempts him back into the adventure of seduction, he is confronted with a city whose streets are filled with people behaving quite differently than a decade before. "For one who frequently went without talking to anyone for days at a time," he thinks. "I had to wonder what that had previously held them up had collapsed in people to make incessant talking into a telephone preferable to walking about under no one's surveillance, momentarily solitary, assimilating the street through one's animal senses and thinking the myriad thoughts that the activities of a city inspire." Listen to Philip Roth read an excerpt from Exit Ghost.

<span class="h1"><strong>Looking Back on Zuckerman</strong></span> <table width="100%" border="0" cellspacing="4" cellpadding="4"> <tr align="center" valign="top"> <td width="33%"><table width="100%" border="0" cellspacing="4" cellpadding="4"> <tr align="center" valign="top"> <td width="35%" align="center"><img src="http://images.amazon.com/images/P/0679748989.01.MZZZZZZZ.jpg" border="0" align="right"></td> <td width="55%" align="left">The Ghost Writer: Introduces Nathan Zuckerman in the 1950s, a budding writer who spends a night in the secluded New England farmhouse of his idol, E. I. Lonoff, and meets a haunting young woman whom he imagines could be the paradigmatic victim of Nazi persecution.</td><td width="10%"></td> </tr> </table></td> <td width="34%"><table width="100%" border="0" cellspacing="4" cellpadding="4"> <tr align="center" valign="top"> <td width="35%" align="center"><img src="http://images.amazon.com/images/P/0679748997.01.MZZZZZZZ.jpg" border="0" align="right"></td> <td width="55%" align="left">Zuckerman Unbound: Zuckerman, with newfound fame as a bestselling author, ventures onto the streets of Manhattan in the final year of the turbulent '60s, where he is assumed by fans and enemies to be his own fictional satyr, Gilbert Carnovsky ("Hey, you do all that stuff in that book?").</td><td width="10%"></td> </tr> </table></td> <td width="33%"><table width="100%" border="0" cellspacing="4" cellpadding="4"> <tr align="center" valign="top"> <td width="35%" align="center"><img src="http://images.amazon.com/images/P/0679749020.01.MZZZZZZZ.jpg" border="0" align="right"></td> <td width="55%" align="left">The Anatomy Lesson: At 40, Zuckerman comes down with a mysterious affliction--pure pain, beginning in his neck and shoulders, invading his torso, and taking possession of his spirit. Zuckerman is unable to write a line, but the novel provides some of the funniest and fiercest scenes in all of Roth's fiction.</td><td width="10%"></td> </tr> </table></td> </tr> <tr align="center" valign="top"> <td width="33%"><table width="100%" border="0" cellspacing="4" cellpadding="4"> <tr align="center" valign="top"> <td width="35%" align="center"><img src="http://images.amazon.com/images/P/0679749039.01.MZZZZZZZ.jpg" border="0" align="right"></td> <td width="55%" align="left">The Prague Orgy: In quest of the unpublished manuscript of a martyred Yiddish writer, Zuckerman travels to Soviet-occupied Prague in the mid-1970s, where he discovers, among the oppressed writers with whom he quickly becomes embroiled, an appealingly perverse kind of heroism.</td><td width="10%"></td> </tr> </table></td> <td width="34%"><table width="100%" border="0" cellspacing="4" cellpadding="4"> <tr align="center" valign="top"> <td width="35%" align="center"><img src="http://images.amazon.com/images/P/1598530119.01.MZZZZZZZ.jpg" border="0" align="right"></td> <td width="55%" align="left">Zuckerman Bound: The latest in the Library of America's collected Roth works brings together his first Zuckerman trilogy, The Ghost Writer, Zuckerman Unbound, and The Anatomy Lesson, along with the epilogue, The Prague Orgy.</td><td width="10%"></td> </tr> </table></td> <td width="33%"><table width="100%" border="0" cellspacing="4" cellpadding="4"> <tr align="center" valign="top"> <td width="35%" align="center"><img src="http://images.amazon.com/images/P/0679749047.01.MZZZZZZZ.jpg" border="0" align="right"></td> <td width="55%" align="left">The Counterlife: From New Jersey to England to the West Bank, the characters in The Counterlife, illuminated by the skeptical, enveloping intelligence of Nathan Zuckerman, are tempted unceasingly by the prospect of an alternative existence that can reverse their fate.</td><td width="10%"></td> </tr> </table></td> </tr> <tr align="center" valign="top"> <td width="33%"><table width="100%" border="0" cellspacing="4" cellpadding="4"> <tr align="center" valign="top"> <td width="35%" align="center"><img src="http://images.amazon.com/images/P/0375701427.01.MZZZZZZZ.jpg" border="0" align="right"></td> <td width="55%" align="left">American Pastoral: Swede Levov, legendary high-school athlete and boyhood idol of Nathan Zuckerman, is wrenched overnight out of the American pastoral and into the indigenous American berserk when his teenage daughter proves capable of an outlandishly savage act of political terrorism.</td><td width="10%"></td> </tr> </table></td> <td width="34%"><table width="100%" border="0" cellspacing="4" cellpadding="4"> <tr align="center" valign="top"> <td width="35%" align="center"><img src="http://images.amazon.com/images/P/0375707212.01.MZZZZZZZ.jpg" border="0" align="right"></td> <td width="55%" align="left">I Married a Communist: The rise and fall of Ira Ringold, a big American roughneck who becomes a big-time 1940s radio star, takes the young Zuckerman under his wing, and is destroyed, as both a performer and a man, in the McCarthy witchhunt of the 1950s.</td><td width="10%"></td> </tr> </table></td> <td width="33%"><table width="100%" border="0" cellspacing="4" cellpadding="4"> <tr align="center" valign="top"> <td width="35%" align="center"><img src="http://images.amazon.com/images/P/0375726349.01.MZZZZZZZ.jpg" border="0" align="right"></td> <td width="55%" align="left">The Human Stain: Coleman Silk, an aging classics professor forced to retire when his colleagues decree that he is a racist, has a secret, kept for 50 years from all around him, including his friend Nathan Zuckerman, who sets out to understand how this ingeniously contrived life came unraveled.</td><td width="10%"></td> </tr> </table></td> </tr> </table>

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