For the past few decades Hal Foster's critical gaze has encompassed the increasingly complex machinery of the culture industry. His observations push the boundaries of cultural criticism to establish a vantage point from which the seemingly disparate agendas of artists, patrons, and critics have a telling coherence. Recodings has become the classic "primer in poststructuralist debate" (Village Voice). The essays present a constellation of concerns about the limits and myths of postmodernism, the uses and abuses of historicism, the connections of recent art and architecture with media spectacle and institutional power, and the transformations of the avant garde and of cultural politics generally.
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No clear boundaries, no clear styles, no standards. Everything cancels everything else if the pluralism continues to be the issue.
评分三星半！后结构主义的书真的读不来! to cite foster's own word, it's "historical (isn't also linguistically, materialistically, stylistically and theoretically?) enigmatic".
评分三星半！后结构主义的书真的读不来! to cite foster's own word, it's "historical (isn't also linguistically, materialistically, stylistically and theoretically?) enigmatic".
评分No clear boundaries, no clear styles, no standards. Everything cancels everything else if the pluralism continues to be the issue.
评分No clear boundaries, no clear styles, no standards. Everything cancels everything else if the pluralism continues to be the issue.
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