The 'great iconoclast of literary criticism' ("Guardian") reinvents the study of the novel. Franco Moretti argues heretically that literature scholars should stop reading books and start counting, graphing, and mapping them instead. He insists that such a move could bring new lustre to a tired field, one that in some respects is among "the most backwards disciplines in the academy." Literary study, he argues, has been random and unsystematic. For any given period, scholars focus on a select group of a mere few hundred texts: the canon. As a result, they have allowed a narrow distorting slice of history to pass for the total picture. Moretti offers bar charts, maps, and time lines instead, developing the idea of "distant reading" into a full-blown experiment in literary historiography, where the canon disappears into the larger literary system. Charting entire genres - the epistolary, the gothic, and the historical novel - as well as the literary output of countries such as Japan, Italy, Spain, and Nigeria, he shows how literary history looks significantly different from what is commonly supposed and how the concept of aesthetic form can be radically redefined.
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把文学研究科学化、系统化，是作者作为马克思主义者的唯物观。特别有文学具体是小说的世界主义（如果不用国际主义）的感觉。那些看似独特新颖的类型研究，性别研究，细读法，在作者的“远读”下，都显得娇弱单薄起来，甚至还有点羞涩，尽管这本书的外貌是如此的小。
评分他弟是南尼·莫瑞提！哥大和斯坦福比较文学教授，07开始在人文学科里搞定量都不是梗了。
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