Graphs, Maps, Trees 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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Franco Moretti 作者

Verso

译者

2007-9-17 出版日期

119 页数

USD 19.95 价格

Paperback

丛书系列

9781844671854 图书编码

Graphs, Maps, Trees 在线电子书图书标签: 文学 FrancoMoretti 地图文学批评文学史 Moretti Franco_Moretti 批评

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发表于2024-11-25

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Graphs, Maps, Trees 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Graphs, Maps, Trees 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

Graphs, Maps, Trees 在线电子书用户评价

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把文学研究科学化、系统化，是作者作为马克思主义者的唯物观。特别有文学具体是小说的世界主义（如果不用国际主义）的感觉。那些看似独特新颖的类型研究，性别研究，细读法，在作者的“远读”下，都显得娇弱单薄起来，甚至还有点羞涩，尽管这本书的外貌是如此的小。

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2018 spring my prof criticized the book and digital humanities at large. I guess the point is, these seem intersting cases. but what is the significance after all. Isn't the trees' part a little bit pointless? (maybe one can argue that the point comes later, tho) are literary studies merely the site of like history studies/ economic studies etc.?

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库恩和布罗代尔在手… 以及连读了三本，有点扛不住Moretti每一段落开头必用名词性短语/不完整句的写法了。Afterwords没有认真看。

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他弟是南尼·莫瑞提！哥大和斯坦福比较文学教授，07开始在人文学科里搞定量都不是梗了。

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Graphs, Maps, Trees 在线电子书图书描述

The 'great iconoclast of literary criticism' ("Guardian") reinvents the study of the novel. Franco Moretti argues heretically that literature scholars should stop reading books and start counting, graphing, and mapping them instead. He insists that such a move could bring new lustre to a tired field, one that in some respects is among "the most backwards disciplines in the academy." Literary study, he argues, has been random and unsystematic. For any given period, scholars focus on a select group of a mere few hundred texts: the canon. As a result, they have allowed a narrow distorting slice of history to pass for the total picture. Moretti offers bar charts, maps, and time lines instead, developing the idea of "distant reading" into a full-blown experiment in literary historiography, where the canon disappears into the larger literary system. Charting entire genres - the epistolary, the gothic, and the historical novel - as well as the literary output of countries such as Japan, Italy, Spain, and Nigeria, he shows how literary history looks significantly different from what is commonly supposed and how the concept of aesthetic form can be radically redefined.

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