Africa

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Sebastião Salgado was born in Aimorés, state of Minas Gerais, Brazil. A former economist, Salgado began his career in Paris as a professional photographer in 1973 and subsequently worked with the photo agencies Sygma, Gamma, and Magnum Photos. In 1994, Lélia Wanick Salgado and Sebastião Salgado created Amazonas images, an agency that handles exclusively his work. Salgado travels throughout the world for his photographic projects which have been featured in numerous international periodicals as well as books, including Other Americas (1986), Sahel: l’homme en détresse (1986), Workers (1993), Terra (1997), Migrations (2000), and The Children (2000). Exhibitions of these bodies of work tour internationally. Salgado has been awarded numerous major photographic prizes in recognition of his accomplishments and is a UNICEF Goodwill Ambassador. Together Lélia and Sebastião have been working since 1991 on the restoration of a small part of the Brazilian Atlantic Rainforest, in the Rio Doce Valley, where they created Instituto Terra, a natural reserve and environmental educational center. Salgado’s current photographic project is Genesis, a series of black-and-white photographs of landscapes, wildlife, and human communities around the globe that represents a search for nature in its original state.

出版者:Taschen
作者:Sebastiao Salgado
出品人:
頁數:336
译者:
出版時間:2007-9-1
價格:USD 69.99
裝幀:Hardcover
isbn號碼:9783822856215
叢書系列:
圖書標籤:
  • 攝影 
  • SebastiaoSalgado 
  • 非洲 
  • Sebastiao_Salgado 
  • 紀實 
  • 攝影集 
  • 攝影眼 
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An homage to Africa's people and wildlife.

Sebastião Salgado is one the most respected photojournalists working today, his reputation fo rged by decades of dedication and powerful black-and-white images of dispossessed and distressed people taken in places where most wouldn’t dare to go. Although he has photographed throughout South America and around the globe, his work most heavily concentrates on Africa, where he has shot more than 40 reportage works over a period of 30 years. From the Dinka tribes in Sudan and the Himba in Namibia to gorillas and volcanoes in the lakes region to displaced peoples throughout the continent, Salgado shows us all facets of African life today. Whether he’s documenting refugees or vast landscapes, Salgado knows exactly how to grab the essence of a moment so that when one sees his images one is involuntarily drawn into them. His images artfully teach us the disastrous effects of war, poverty, disease, and hostile climatic conditions.

This book brings together Salgado’s photos of Africa in three parts. The first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today’s Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises.

This stunning book is not only a sweeping document of Africa but an homage to the continent’s history, people, and natural phenomena.

具體描述

讀後感

評分

Salgado的摄影作品极富视觉冲击力,始终能给人以强烈的震撼!我曾惊羡于他的《劳动者们》(Workers),现在又为他的《非洲》(Africa) 感奋不已。在那敏锐的光影捕捉和精湛的构图技巧之下,Salgado最最打动我的是他强烈的写实主义精神和深切的人文关怀...

評分

Salgado的摄影作品极富视觉冲击力,始终能给人以强烈的震撼!我曾惊羡于他的《劳动者们》(Workers),现在又为他的《非洲》(Africa) 感奋不已。在那敏锐的光影捕捉和精湛的构图技巧之下,Salgado最最打动我的是他强烈的写实主义精神和深切的人文关怀...

評分

Salgado的摄影作品极富视觉冲击力,始终能给人以强烈的震撼!我曾惊羡于他的《劳动者们》(Workers),现在又为他的《非洲》(Africa) 感奋不已。在那敏锐的光影捕捉和精湛的构图技巧之下,Salgado最最打动我的是他强烈的写实主义精神和深切的人文关怀...

評分

Salgado的摄影作品极富视觉冲击力,始终能给人以强烈的震撼!我曾惊羡于他的《劳动者们》(Workers),现在又为他的《非洲》(Africa) 感奋不已。在那敏锐的光影捕捉和精湛的构图技巧之下,Salgado最最打动我的是他强烈的写实主义精神和深切的人文关怀...

評分

Salgado的摄影作品极富视觉冲击力,始终能给人以强烈的震撼!我曾惊羡于他的《劳动者们》(Workers),现在又为他的《非洲》(Africa) 感奋不已。在那敏锐的光影捕捉和精湛的构图技巧之下,Salgado最最打动我的是他强烈的写实主义精神和深切的人文关怀...

用戶評價

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哪一天我能再迴去

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Uluru - I am because you are.

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最近迷上的大神另一作品。

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哪一天我能再迴去

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關於暴力成因的解釋有太多種,種族、曆史、部落原因等等,事實上在非洲發生的事跟在世界各地一樣,罪惡的統治階層有能力操控人民或利用他人的生命來保持權力和纍積財富。民不聊生顛沛流離的背後,是貧瘠又廣袤的深邃的非洲大陸,黑白攝影果然最富有衝擊力。

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