Nabokov's Art of Memory and European Modernism 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Nabokov's Art of Memory and European Modernism

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John Burt Foster 作者
Princeton University Press
譯者
1993-02-08 出版日期
0 頁數
USD 50.00 價格
Hardcover
叢書系列
9780691069715 圖書編碼

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Nabokov's Art of Memory and European Modernism 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Nabokov's Art of Memory and European Modernism 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Nabokov's Art of Memory and European Modernism 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Nabokov's Art of Memory and European Modernism 在線電子書 著者簡介


Nabokov's Art of Memory and European Modernism 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Nabokov's Art of Memory and European Modernism 在線電子書 圖書描述

Despite Vladimir Nabokov's hostility toward literary labels, he clearly recognized his own place in cultural history. In a fresh approach stressing Nabokov's European context, John Foster shows how this writer's art of memory intersects with early twentieth-century modernism. Tracing his interests in temporal perspective and the mnemonic image, in intertextual "reminiscences," and in individuality amid cultural multiplicity, the book begins with such early Russian novels as Mary, then treats his emerging art of memory from Laughter in the Dark to The Gift. After discussing the author's cultural repositioning in his first English novels, Foster turns to Nabokov's masterpiece as an artist of memory, the autobiography Speak, Memory, and ends with an epilogue on Pale Fire.

As a cross-cultural overview of modernism, this book examines how Nabokov navigated among Proust and Bergson, Freud and Mann, and Joyce and Eliot. It also explores his response to Baudelaire and Nietzsche as theorists of modernity, and his sense of Dostoevsky, Tolstoy, and Pushkin as modernist precursors. As an approach to Nabokov, the book reflects the heightened importance of autobiography in current literary study. Other critical issues addressed include Bakhtin's theory of intertextuality, deconstructive views of memory, Benjamin's modernism of memory, and Nabokov's assumptions about modernism as a concept.

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