This introductory volume offers an elegant analysis of the enduring appeal of the cinematic vampire. From Georges Melies' early cinematic experiments to Twilight and Let the Right One In, the history of vampires in cinema can be organized by a handful of governing principles that help make sense of this movie monster's remarkable fecundity. Among these principles are that the cinematic vampire is invariably about sex and the vexed human relationship with technology, and that the vampire is always an overdetermined body condensing what a culture considers other. This volume includes in-depth studies of films including Powell's A Fool There Was, Franco's Vampyros Lesbos, Cronenberg's Rabid, Kumel's Daughters of Darkness, and Merhige's Shadow of the Vampire.
具体描述
读后感
评分
评分
评分
评分
用户评价
基本上是derived from Jeffrey Cohen's Monster Culture: Seven These", 比较有意思的argument也是从那里来的，除此之外的argument就有点牵强了，特别是作者总是用“Vampire cinema is always about blabla"这种句式。当然优点就是，找结论特别好找，作者不卖关子不兜着藏着。
评分基本上是derived from Jeffrey Cohen's Monster Culture: Seven These", 比较有意思的argument也是从那里来的，除此之外的argument就有点牵强了，特别是作者总是用“Vampire cinema is always about blabla"这种句式。当然优点就是，找结论特别好找，作者不卖关子不兜着藏着。
评分基本上是derived from Jeffrey Cohen's Monster Culture: Seven These", 比较有意思的argument也是从那里来的，除此之外的argument就有点牵强了，特别是作者总是用“Vampire cinema is always about blabla"这种句式。当然优点就是，找结论特别好找，作者不卖关子不兜着藏着。
评分基本上是derived from Jeffrey Cohen's Monster Culture: Seven These", 比较有意思的argument也是从那里来的，除此之外的argument就有点牵强了，特别是作者总是用“Vampire cinema is always about blabla"这种句式。当然优点就是，找结论特别好找，作者不卖关子不兜着藏着。
评分基本上是derived from Jeffrey Cohen's Monster Culture: Seven These", 比较有意思的argument也是从那里来的，除此之外的argument就有点牵强了，特别是作者总是用“Vampire cinema is always about blabla"这种句式。当然优点就是，找结论特别好找，作者不卖关子不兜着藏着。
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有