From Publishers Weekly This disappointing first installment of a trilogy by LaHaye (Left Behind series) and television producer Dinallo offers little to excite faith fiction or general fiction fans. Dylan Cooper is a poor Scottish photographer capturing the faces of immigration in Boston in 1918， even as WWI continues its devastation overseas. Playing the classic starving artist role， Cooper falls hard for lovely gallery assistant Grace MacVicar (who "carried herself in a way that did justice to her name"). Her overprotective brother， Colin， seems bent on keeping Grace and Cooper apart， and tempers flare between the two men. Light on plot and character development， the novel features more "telling" than "showing." Some scenes， such as a slugfest between Cooper and Colin， feel made-for-the-screen. A few phrases ("Grace could hardly contain her excitement at the sight of it， which raised her pores") will puzzle readers. Scottish dialect comes and goes， and verb tense problems trouble the text. Historical romance readers will find the plot line familiar: lovers are separated in wartime， and one is believed to be dead. LaHaye's core fans will be disappointed with the few nods to faith， which include Colin's letter-of-the-law approach to Christianity and two pages of Easter Sunday sermon text. The story ends abruptly， leaving readers dangling until the second installment (due in October). Copyright © Reed Business Information， a division of Reed Elsevier Inc. All rights reserved. From Booklist Left Behind architect LaHaye and coauthor Dinallo tell a short， unexceptionable tale， the first in a planned trilogy set during World War I. Two Scots immigrants， Dylan Cooper and Grace MacVicar， meet in Boston in 1916. Dylan is a photographer trying to establish his work as art. Grace works at a studio and is able to help him. After a few difficulties， Dylan shows pay dirt， and he and Grace marry. They buy a house by the sea and practice "tender and considerate lovemaking." Exciting! Still， the two don't live happily ever after， at least not in this installment. The doughboys are pouring into France， and Dylan， who， unaccountably， is fiercely patriotic， wants to help. The novel gives short shrift to his training and takes him straight into the hazardous work of aerial photography. Meanwhile， there are unhappy developments in Boston， and when Dylan returns， it's to the cliffhanger that sets up part 2. It's hard to imagine fiction blander than this， but， of course， the LaHaye brand name makes it news. John MortCopyright © American Library Association. All rights reserved