From Amazon.co.uk
The Dutch painter Vermeer has remained one of the great enigmas of 17th-century Dutch art. While little is known of his personal life, his extraordinary paintings of natural and domestic life, with their subtle play of light and colour, have come to define the Dutch Golden Age. The mysterious portrait of the anonymous Girl with a Pearl Earring has fascinated art historians for centuries, and it is this magnetic painting that lies at the heart of Tracy Chevalier's second novel of the same title.
Girl with a Pearl Earring centres on Vermeer's prosperous household in Delft in the 1660s. The appointment of the quiet, perceptive heroine of the novel, the servant Griet, gradually throws the household into turmoil as Vermeer and Griet become increasingly intimate, an increasingly tense situation that culminates in her working for Vermeer as his assistant, and ultimately sitting for him as a model. Chevalier deliberately cultivates a limpid, painstakingly observed style in homage to Vermeer, and the complex domestic tensions of the Vermeer household are vividly evoked, from the jealous, vain, young wife to the wise, taciturn mother-in-law. At times the relationship between servant and master seems a little anachronistic, but Girl with a Pearl Earring does contain a final delicious twist in its tail. Chevalier acknowledges her debt to Simon Schama's classic study of the Dutch Golden Age, The Embarrassment of Riches, and the novel comes hard on the heels of Deborah Moggach's similar tale of domestic intrigue behind the easel of 17th-century Dutch painting, Tulip Fever.
Girl with a Pearl Earring is a fascinating piece of speculative historical fiction, but how much more can novelists extract from the Dutch Golden Age? --Jerry Brotton --This text refers to an out of print or unavailable edition of this title.
特蕾西·雪佛兰(Tracy Chevalier)1962出生于美国华盛顿,1984年迁居英格兰。1994年获得英国东安哥拉大学创意写作硕士学位。处女作《纯蓝》一举获得史密斯文学奖年度新人奖;《堕落天使》引起了世人的普遍关注。《戴珍珠耳环的少女》是雪佛兰备受赞誉的代表作,将她归入伟大作家的行列。其作品多以旧时女子试图突破环境限制、改变自身命运为主题,细腻敏锐,缠绵悱恻,意味幽远。
雪佛兰才一个心愿是要赏遍维梅尔存世真迹。她从欣赏《戴珍珠耳环的少女》真迹中得到灵感,以维梅尔创作此画为核心,巧妙地镶嵌进了画家另外重要名画,以细腻的笔触与独到的视点,刻画出画家与妻子及少女之间的复杂关系,将一出伤魂恨情幽幽展开……
作为我第一部完整读完的英文原版书,我应该对它手下留情才好。但是豆瓣上介绍其为千古余恨的腔调实在激怒了我。 如果说看电影还有些画面的美感,看书就什么都不剩了。我是边看边吐槽的。女主太坏,总觉得她一心想当小三。占着屠户儿子这个理想的未来伴侣,又幻想和主人在一起。...
评分用了一个小时读完这本不算很厚的书,突然想起以前看过的一首日本儿歌:花儿很香,铃儿也很响,少女也一样,如今吸引人,以后的命运却悲凉。 在文字中不断闪现的竟然是04年在飞机上看的那部电影的男女主角。觉得女主角(后来才知道是大名鼎鼎的scarlet johnson)很呆,男主角没...
评分因为三百多年前的一幅画作,有了一本小说,又有了一部电影,这三件同名艺术品,风格上基本保持一致,都是文艺青年们的喜爱之作,这无论如何是荷兰黄金时代绘画大师杨•维梅尔所预想不到的。画作《戴珍珠耳环的少女》作为小说和电影的灵感之源,确实留下了无限遐想和再创作的...
评分最近读了莫邪.屠龙玩关于《跟塞斯学素描》的评论“我不知道苹果的颜色”,感动得几乎要落下眼泪来。她像一个小孩子一样写自己学习绘画的过程,她为画出来黑不溜秋的苹果而丧气,为发现笔下那些明亮的风景连自己都觉得惊奇。最让我心动的是结尾她写到: “后来又看到Balkwill的...
评分当我触摸到书的封皮的时候,如同触摸到了那副传世名画——《戴珍珠耳环的少女》,就自然地将书捧到怀里,付钱,走出书店。我一辈子也不可能看到那幅画的真迹,于是这张仅书面大小的复制品作为的封面就成了心的慰籍——至少它与画儿是一个模样的(忽略那些专业眼光里的“细节...
Space for imagination.
评分Space for imagination.
评分Space for imagination.
评分Space for imagination.
评分安静,易读,书中的一些细节填补了电影的遗漏
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