Amy Stewart lives in northern California, where she and her husband own an antiquarian bookstore called Eureka Books. She writes books by typing very quickly and loudly on a jet black keyboard that has no letters printed on the keys, proving (to herself, because no one else particularly cares) that she is an excellent touch typist.

When she's not writing books, reading them, or shelving them, she might be painting. You can see examples of her paintings here and here.

You can also find her all over the country speaking to audiences at bookstores, botanical gardens, garden clubs, and college and museum lecture series. To find out if she's coming to your town, visit the Events page of her website.

Four of Amy's books have been New York Times bestsellers, and she has enjoyed contributing to the New York Times, Washington Post, NPR, Good Morning America, and CBS Sunday Morning.

The National Endowment for the Arts (NEA) granted her a Creative Writing Fellowship, and she's the winner of the American Horticultural Society's Book Award.

We buy more flowers a year than we do Big Macs, spending $6.2 billion annually. We use them to mark our most important events, to express sentiments that might otherwise go unsaid. And we demand perfection. So it’s no surprise that there is a $40 billion global industry devoted to making flowers flawless.

Amy Stewart takes us inside the flower trade—from the hybridizers, who create new varieties in the laboratory, to the growers, who produce flowers by the millions (often in a factory-like setting), to the Dutch auctioneers, who set the bar (and the price), and ultimately to the neighborhood florists orchestrating the mind-boggling demands of Valentine’s and Mother’s Day. There’s the breeder intent on developing the first blue rose; an eccentric horticultural legend who created the world’s most popular lily; a grower of gerberas of every color imaginable; and the equivalent of a Tiffany diamond: the “ Forever Young” rose.

Stewart explores the relevance of flowers in our lives and in our history, and in the process she reveals all that has been gained—and lost—by tinkering with nature.