Dan Ben-Amos is a professor of folklore and folklife at the University of Pennsylvania. He is the editor of MIcha Joseph Bin Gorion's Mimekor Yisrael: Classical Jewish Folktales.

Liliane Weissberg is a professor of German and comparative literature and holds the Joseph B. Glossberg Term Chair in the Humanities at the University of Pennsylvania. She is the editor of Hannah Arendt's Rahel Varnhagen: The Life of a Jewess.

How do we remember persons, objects, events? Memory seems so personal, but, at the same time, it is shaped by collective experience and public representations. Newspapers, television, even celebrations and festivities mark for us not only who we are, but also who we were and how we lived.Cultural Memory and the Construction of Identity brings together scholars of folklore, literature, history, and communication to explore the dynamics of cultural memory in a variety of contexts. Memory is a powerful tool that can transform a piece of earth into a homeland and common objects into symbols. The authors of this volume show how memory is shaped, and how it operates in uniting society and creating images that attain the value of truth even if they deviate from fact. They point at the relationship between this memory and our notion of "culture".They also discuss this cultural memory on the level of everyday life. Memories surrounding us blend into our mundane activities in the form of clothing, utensils, or images on the television screen. The authors locate cultural memory in museums, libraries, and other public spheres, and show how it functions for ethnic groups such as Jews and African Americans. Their studies focus on such diverse institutions, objects and events as the United States Holocaust Museum and Israeli settlement museums, Jefferson's Monticello, American Civil War television serials, European calendar customs, and second-hand clothing For the authors of these essays, cultural memory is, by necessity, selective in nature, and it insists on a subjective construction of the past. Building on research in the field, their contributions clearly show that cultural memory hasbecome the creative invention of the past in service of both the present and an imagined future.