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作者简介
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Conan提出的研究方法是亮点： (1) select a corpus of artistic expressions of garden receptions, paying attention to all the aspects of the artworks selected that touch upon gardens; (2) pursue a study of the horizon of perception of gardens in this corpus, using, as much as possible, a critical reception approach; (3) return to a study of the artistic function fulfilled by the corpus within the works from which it was selected in order to outline the role of garden experiences in cultural development.
评分Conan提出的研究方法是亮点： (1) select a corpus of artistic expressions of garden receptions, paying attention to all the aspects of the artworks selected that touch upon gardens; (2) pursue a study of the horizon of perception of gardens in this corpus, using, as much as possible, a critical reception approach; (3) return to a study of the artistic function fulfilled by the corpus within the works from which it was selected in order to outline the role of garden experiences in cultural development.
评分Conan提出的研究方法是亮点： (1) select a corpus of artistic expressions of garden receptions, paying attention to all the aspects of the artworks selected that touch upon gardens; (2) pursue a study of the horizon of perception of gardens in this corpus, using, as much as possible, a critical reception approach; (3) return to a study of the artistic function fulfilled by the corpus within the works from which it was selected in order to outline the role of garden experiences in cultural development.
评分Conan提出的研究方法是亮点： (1) select a corpus of artistic expressions of garden receptions, paying attention to all the aspects of the artworks selected that touch upon gardens; (2) pursue a study of the horizon of perception of gardens in this corpus, using, as much as possible, a critical reception approach; (3) return to a study of the artistic function fulfilled by the corpus within the works from which it was selected in order to outline the role of garden experiences in cultural development.
评分Conan提出的研究方法是亮点： (1) select a corpus of artistic expressions of garden receptions, paying attention to all the aspects of the artworks selected that touch upon gardens; (2) pursue a study of the horizon of perception of gardens in this corpus, using, as much as possible, a critical reception approach; (3) return to a study of the artistic function fulfilled by the corpus within the works from which it was selected in order to outline the role of garden experiences in cultural development.
