Remaking Chinese Cinema 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Remaking Chinese Cinema

簡體網頁||繁體網頁
Yiman Wang 作者
University of Hawaii Press
譯者
2013-3-31 出版日期
217 頁數
USD 49.00 價格
Hardcover
叢書系列
9780824836078 圖書編碼

Remaking Chinese Cinema 在線電子書 圖書標籤: 電影研究  電影  中國電影    彆樣藝術史  上海  no   


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Remaking Chinese Cinema 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Remaking Chinese Cinema 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Remaking Chinese Cinema 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



Remaking Chinese Cinema 在線電子書 用戶評價

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negotiate, critically, problematize, situate, etc....academic writing可以換些詞嘛??學得人都不會好好講話瞭

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negotiate, critically, problematize, situate, etc....academic writing可以換些詞嘛??學得人都不會好好講話瞭

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參看筆者載香港《二十一世紀》長篇書評。

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negotiate, critically, problematize, situate, etc....academic writing可以換些詞嘛??學得人都不會好好講話瞭

評分

參看筆者載香港《二十一世紀》長篇書評。

Remaking Chinese Cinema 在線電子書 著者簡介

Yiman Wang is an Assistant Professor of Film & Digital Media at University of California Santa Cruz. She is author of Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong and Hollywood (Honolulu, HI: University of Hawaii Press, 2013). Her articles have appeared in Quarterly Review of Film and Video, Film Quarterly, Camera Obscura, Journal of Film and Video, Literature/Film Quarterly, Positions: East Asia Cultures Critique, Journal of Chinese Cinemas, Chinese Films in Focus (Chris Berry, ed. 2003, 2008), Idols of Modernity: Movie Stars of the 1920s (Patrice Petro, ed. 2010), The New Chinese Documentary Film Movement: For the Public Record (Chris Berry, Lü Xinyu, and Lisa Rofel eds. 2010), Cinema at the City’s Edge: Film and Urban Networks in East Asia (Yomi Braester and James Tweedie, eds. 2010), and Engendering Cinema: Chinese Women Filmmakers Inside and Outside China (Lingzhen Wang, ed. 2011).


Remaking Chinese Cinema 在線電子書 著者簡介


Remaking Chinese Cinema 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Remaking Chinese Cinema 在線電子書 圖書描述

From melodrama to Cantonese opera, from silents to 3D animated film, Remaking Chinese Cinema traces cross-Pacific film remaking over the last eight decades. Through the refractive prism of Hollywood, Shanghai, and Hong Kong, Yiman Wang revolutionizes our understanding of Chinese cinema as national cinema. Against the diffusion model of national cinema spreading from a central point—Shanghai in the Chinese case—she argues for a multi-local process of co-constitution and reconstitution. In this spirit, Wang analyzes how southern Chinese cinema (huanan dianying) morphed into Hong Kong cinema through trans-regional and trans-national interactions that also produced a vision of Chinese cinema.

Among the book’s highlights are a rereading of The Goddess—one of the best-known silent Chinese films in the West—from the perspective of its wartime Mandarin-Cantonese remake; the excavation of a hybrid genre (the Western costume Cantonese opera film) inspired by Hollywood's fantasy films of the 1930s and produced in Hong Kong well into the mid-twentieth century; and a rumination on Hollywood’s remake of Hong Kong’s Infernal Affairs and the wholesale incorporation of “Chinese elements” in Kung Fu Panda 2.

Positing a structural analogy between the utopic vision, the national cinema, and the location-specific collective subject position, the author traces their shared urge to infinitesimally approach, but never fully and finitely reach a projected goal. This energy precipitates the ongoing processes of cross-Pacific film remaking, which constitute a crucial site for imagining and enacting (without absolving) issues of national and regional border politics. These issues unfold in relation to global formations such as colonialism, Cold War ideology, and postcolonial, postsocialist globalization. As such, Remaking Chinese Cinema contributes to the ongoing debate on (trans-)national cinema from the unique perspective of century-long border-crossing film remaking.

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