Images at War 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Images at War

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Serge Gruzinski 作者
Duke University Press Books
Heather MacLean 译者
2001-6-8 出版日期
296 页数
USD 24.95 价格
Paperback
丛书系列
9780822326434 图书编码

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发表于2024-11-27


Images at War 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Images at War 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Images at War 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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Renaissance Orientations. Spring 2012. Alexander Nagel.

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Renaissance Orientations. Spring 2012. Alexander Nagel.

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'If colonial America was the melting pot of modernity, it was because it was also a fabulous laboratory of images...Just as much as speech and writing, the image can be a vehicle for all sorts of power and resistance.' So writes Serge Gruzinski in the introduction to "Images at War", his striking reinterpretation of the Spanish colonisation of Mexico.Concentrating on the political meaning of an image and its function within a multicultural society, Gruzinski compares the ubiquity of the baroque image in Mexico to our more modern fascination with images and their meaning. Although it played a decisive role in many arenas, especially that of conquest and New World colonisation, the baroque image on which Gruzinski concentrates resonates most powerfully in the sphere of religion. Discussing how images conveyed meaning across linguistic barriers, Gruzinski uncovers recurring themes of false images, less-than-perfect-replicas, the uprooting of peoples and cultural memories, and the violence of iconoclastic destruction.He shows how various ethnicities - Indians, blacks, Europeans - each left their own mark on images of colonialism and religion, co-opting them into expressions of identity or instruments of rebellion. In the process, he tells of Aztec idols, the cult of the Virgin of Guadalupe, conquistadors, Franciscans, and neo-classical attempts to repress the baroque. In the final portion of the book, Gruzinski discusses the political and religious implications of contemporary imagery - such as that of Mexican soap operas - and speculates about the future of images in Latin America. Originally written in French, this work makes available to an English audience a seminal study of Mexico and the role of the image in the New World.

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