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出版者:Univ Pr of Mississippi

作者:Urgo, Joseph R. (EDT)/ Abadie, Ann J. (EDT)

出品人:

页数:155

译者:

出版时间:

价格:600.00元

装帧:HRD

isbn号码:9781578069392

丛书系列:

图书标签:

• Faulkner
• Material Culture
• Southern Literature
• American Literature
• Modernism
• Regionalism
• Object Studies
• Literary Criticism
• Cultural Studies
• Twentieth Century Literature

Faulkner and Material Culture: An Uncharted Landscape William Faulkner's Yoknapatawpha County, a meticulously crafted microcosm of the American South, has long been a fertile ground for literary analysis. While scholars have delved into its psychological depths, social complexities, and stylistic innovations, the tangible world that saturates Faulkner's prose—the objects, the spaces, the very fabric of daily life—has remained a comparatively less explored terrain. "Faulkner and Material Culture" embarks on a groundbreaking journey into this rich, yet often overlooked, dimension of his oeuvre. This volume argues that understanding the material world of Faulkner's characters is not merely a supplemental exercise but is, in fact, essential to a profound appreciation of his art. It posits that the objects and environments Faulkner so vividly renders are not passive backdrops but active agents, shaping identities, revealing hidden histories, and embodying the enduring struggles and triumphs of his fictional inhabitants. The project is conceived as a series of interconnected essays, each approaching the concept of material culture from a distinct, yet complementary, perspective. The underlying premise is that Faulkner, through his extraordinary attention to detail, has provided us with an unparalleled archive of the material realities of the South, from antebellum plantations to Depression-era shacks, from aristocratic heirlooms to humble tools. These objects, imbued with personal histories and collective memories, become potent symbols of power, inheritance, decay, and resistance. The initial sections of the book will focus on the domestic sphere, exploring how the furnishings, clothing, and everyday possessions within Faulkner's homes illuminate the social stratification, gender roles, and psychological states of his characters. Consider, for instance, the contrast between the decaying grandeur of Sartoris mansions, with their fading silks and dust-laden portraits, and the stark utilitarianism of the Compson household, where worn-out furniture and patched clothing speak of a lineage in decline. The essays will analyze how specific objects – a chipped teacup, a faded daguerreotype, a moth-eaten rug – become repositories of unspoken narratives, carrying the weight of past traumas and aspirations. We will examine how the very absence of certain objects can be as telling as their presence, signaling poverty, neglect, or a deliberate severing of ties with the past. The act of domestic management, often relegated to female characters, will be re-examined through the lens of material culture, revealing the subtle negotiations of power and agency that take place within the confines of the home. Beyond the private spaces, the volume will extend its investigation to the public and the communal. The courthouse square, the general store, the church – these are not just settings but arenas where material culture plays a crucial role in defining social hierarchies and mediating interactions. The essays will explore how the ownership of land, the appearance of one's attire in public, or the very structure of these communal spaces reflect and reinforce the enduring social structures of the South. We will consider how the material remnants of slavery – the overseer's whip, the auction block, the slave cabins – continue to cast a long shadow over the present, shaping the interactions between black and white communities and fueling the simmering resentments that pervade Faulkner's fiction. The book will also delve into the agricultural landscape, examining the tools of the trade – the plow, the cotton gin, the mule – as embodiments of the relentless toil and the cyclical nature of Southern life. These objects, imbued with the sweat and labor of generations, become powerful symbols of dependence, resilience, and the enduring connection to the land. A significant portion of the book will be dedicated to the concept of inheritance, both tangible and intangible. Faulkner's characters are often burdened or liberated by the legacies passed down to them, and material objects are frequently the conduits for these transfers. The essays will explore how heirlooms, often imbued with sentimental value and historical significance, can become sources of both pride and profound anxiety. The transmission of property, from land to titles to cherished possessions, will be analyzed as a key mechanism through which social status is maintained or eroded. We will also consider the "unmaking" of material culture – the acts of destruction, repurposing, and deliberate forgetting that are equally crucial to understanding the life cycle of objects and the narratives they contain. The burning of the Sutpen mansion, for instance, is not merely a plot point but a dramatic act of annihilating a material symbol of ambition and its ultimate failure. Furthermore, "Faulkner and Material Culture" will engage with the aesthetic dimensions of the material world. Faulkner's prose is renowned for its sensory richness, and this volume will demonstrate how his descriptions of objects appeal to sight, sound, touch, and even smell, immersing the reader in the tactile reality of Yoknapatawpha. The essays will analyze Faulkner's use of language to evoke the texture of wood, the gleam of metal, the scent of decaying leaves, and the weight of worn fabric. This deep engagement with the sensory qualities of the material world is not merely decorative but is integral to his creation of atmosphere, character, and emotional resonance. The very act of describing an object becomes a form of characterization, revealing a character's perception, their values, and their relationship to the world around them. The volume will also confront the concept of obsolescence and decay. Faulkner's South is a region marked by the ghosts of its past, and this is frequently manifested in the decaying infrastructure, the crumbling buildings, and the discarded objects that litter his narratives. The essays will explore how the material remnants of a bygone era serve as constant reminders of lost glory, failed aspirations, and the relentless passage of time. This fascination with decay is not merely morbid but speaks to a deeper engagement with the ephemerality of human endeavors and the enduring power of the natural world to reclaim what has been built. The rusting iron gate, the overgrown garden, the hollowed-out tree – these are not simply signs of neglect but poignant reflections on the human condition. Finally, the book will consider the methodological implications of studying Faulkner through the lens of material culture. It will encourage readers to approach Faulkner's novels not just as literary texts but as rich historical documents, offering invaluable insights into the lived experiences of the people of the American South. By paying close attention to the "things" that populate his fictional world, we can gain a more nuanced and comprehensive understanding of the social, economic, and cultural forces that shaped both his characters and the historical period he so masterfully depicted. This approach invites a dialogue between literary criticism and fields such as history, archaeology, anthropology, and museum studies, forging new connections and enriching our understanding of both Faulkner and the material fabric of human existence. The essays within this collection will serve as a testament to the enduring power of objects to tell stories, to bear witness, and to shape our understanding of ourselves and our place in the world. This exploration promises to unlock new dimensions of Faulkner's genius, revealing a deeper appreciation for the intricate and profoundly human world he so brilliantly brought to life.

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