Self, Nation, Text in Salman Rushdie's Midnight's Children 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2025

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Neil ten Kortenaar 作者

McGill-Queen's University Press

译者

2005-5-1 出版日期

304 页数

GBP 20.99 价格

Paperback

丛书系列

9780773526211 图书编码

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Self, Nation, Text in Salman Rushdie's Midnight's Children 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2025

Self, Nation, Text in Salman Rushdie's Midnight's Children 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2025

Self, Nation, Text in Salman Rushdie's Midnight's Children 在线电子书用户评价

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满页的细读，要找点结论性的东西把眼睛都看花了。

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还是得到一些事实性的收获，但从分析的角度讲基本没什么价值...

评分☆☆☆☆☆

还是得到一些事实性的收获，但从分析的角度讲基本没什么价值...

评分☆☆☆☆☆

满页的细读，要找点结论性的东西把眼睛都看花了。

评分☆☆☆☆☆

还是得到一些事实性的收获，但从分析的角度讲基本没什么价值...

Self, Nation, Text in Salman Rushdie's Midnight's Children 在线电子书著者简介

Self, Nation, Text in Salman Rushdie's Midnight's Children 在线电子书图书目录

Self, Nation, Text in Salman Rushdie's Midnight's Children 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Self, Nation, Text in Salman Rushdie's Midnight's Children 在线电子书图书描述

Many non-Indian readers find the historical and cultural references in Salman Rushdie's Midnight's Children demanding. In his close reading of the novel, Neil ten Kortenaar offers post-colonial literary strategies for understanding Midnight's Children that also challenge some of the prevailing interpretations of the novel. Using hybridity, mimicry, national allegory, and cosmopolitanism, all key critical concepts of postcolonial theory, ten Kortenaar reads Midnight's Children as an allegory of history, as a Bildungsroman and psychological study of a burgeoning national consciousness, and as a representation of the nation. He shows that the hybridity of Rushdie's fictional India is not created by different elements forming a whole but by the relationship among them. Self, Nation, Text in Salman Rushdie's Midnight's Children also makes an original argument about how nation-states are imagined and how national consciousness is formed in the citizen. The protagonist, Saleem Sinai, heroically identifies himself with the state, but this identification is beaten out of him until, in the end, he sees himself as the Common Man at the mercy of the state. Ten Kortenaar reveals Rushdie's India to be more self-conscious than many communal identities based on language: it is an India haunted by a dark twin called Pakistan; a nation in the way England is a nation but imagined against England. Mistrusting the openness of Tagore's Hindu India, it is both cosmopolitan and a specific subjective location.

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