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The Romantic Sublime and Middle-class Subjectivity in the Victorian Novel 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

The Romantic Sublime and Middle-class Subjectivity in the Victorian Novel
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Hancock, Stephen 作者
Routledge
譯者
2005-8 出版日期
214 頁數
$ 150.29 價格
HRD
叢書系列
9780415975452 圖書編碼

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The Romantic Sublime and Middle-class Subjectivity in the Victorian Novel 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

The Romantic Sublime and Middle-class Subjectivity in the Victorian Novel 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

The Romantic Sublime and Middle-class Subjectivity in the Victorian Novel 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


The Romantic Sublime and Middle-class Subjectivity in the Victorian Novel 在線電子書 用戶評價

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The Romantic Sublime and Middle-class Subjectivity in the Victorian Novel 在線電子書 著者簡介

The Romantic Sublime and Middle-class Subjectivity in the Victorian Novel 在線電子書 著者簡介

The Romantic Sublime and Middle-class Subjectivity in the Victorian Novel 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

The Romantic Sublime and Middle-class Subjectivity in the Victorian Novel 在線電子書 圖書描述

This study follows the aesthetic of the sublime from Burke and Kant, through Wordsworth and Shelley, into Thackeray, Dickens, Eliot and Hardy. Exploring the continuities between the romantic and Victorian "periods" that have so often been read as differences, the book demonstrates that the sublime mode enables the transition from a paradigm of overwhelming power exemplified by the body of the king to the pervasive power of surveillance utilized by the rising middle classes. While the domestic woman connected with the rise of the middle class is normally seen as beautiful, the book contends that the moral authority given to this icon of depth and interiority is actually sublime. The binary of the beautiful and the sublime seeks to contain the sublimity of womanhood by insisting on sublimity's masculine character. This is the book's most important claim: rather than exemplifying masculine strength, the sublime marks the transition to a system of power gendered as feminine and yet masks that transition because it fears the power it ostensibly accords to the feminine. This aesthetic is both an inheritance the Victorians receive from their romantic predecessors, and, more importantly, a broad historical phenomenon that questions the artificial boundaries between romantic and Victorian.

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