Performing Women and Modern Literary Culture in Latin America 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Unruh, Vicky 作者

Univ of Texas Pr

譯者

2006-3 出版日期

288 頁數

$ 50.85 價格

HRD

叢書系列

9780292709454 圖書編碼

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發表於2024-12-30

Performing Women and Modern Literary Culture in Latin America 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Performing Women and Modern Literary Culture in Latin America 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Performing Women and Modern Literary Culture in Latin America 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Performing Women and Modern Literary Culture in Latin America 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Performing Women and Modern Literary Culture in Latin America 在線電子書圖書描述

Women have always been the muses who inspire the creativity of men, but how do women become the creators of art themselves? This was the challenge faced by Latin American women who aspired to write in the 1920s and 1930s. Though women's roles were opening up during this time, women writers were not automatically welcomed by the Latin American literary avant-gardes, whose male members viewed women's participation in tertulias (literary gatherings) and publications as uncommon and even forbidding. How did Latin American women writers, celebrated by male writers as the "New Eve" but distrusted as fellow creators, find their intellectual homes and fashion their artistic missions?In this innovative book, Vicky Unruh explores how women writers of the vanguard period often gained access to literary life as public performers. Using a novel, interdisciplinary synthesis of performance theory, she shows how Latin American women's work in theatre, poetry declamation, song, dance, oration, witty display, and bold journalistic self-portraiture helped them craft their public personas as writers and shaped their singular forms of analytical thought, cultural critique, and literary style. Concentrating on eleven writers from Argentina, Brazil, Cuba, Mexico, Peru, and Venezuela, Unruh demonstrates that, as these women identified themselves as instigators of change rather than as passive muses, they unleashed penetrating critiques of projects for social and artistic modernization in Latin America.

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