斯图尔特·凯利,生于1972年,长期担任《苏格兰周日》(Scotland on Sunday)和《诗歌评论》(Poetry Review)杂志书评人。
目前与妻子一起居住在爱丁堡,这是他的的一本书。
In an age when deleted scenes from Adam Sandler movies are saved, it’s sobering to realize that some of the world’s greatest prose and poetry has gone missing. This witty, wry, and unique new book rectifies that wrong. Part detective story, part history lesson, part exposé, The Book of Lost Books is the first guide to literature’s what-ifs and never-weres.
In compulsively readable fashion, Stuart Kelly reveals details about tantalizing vanished works by the famous, the acclaimed, and the influential, from the time of cave drawings to the late twentieth century. Here are the true stories behind stories, poems, and plays that now exist only in imagination:
·Aristophanes’ Heracles, the Stage Manager was one of the playwright’s several spoofs that disappeared.
·Love’s Labours Won may have been a sequel to Shakespeare’s Love’s Labours Lost–or was it just an alternative title for The Taming of the Shrew?
·Jane Austen’s incomplete novel Sanditon, was a critique of hypochondriacs and cures started when the author was fatally ill.
·Nikolai Gogol burned the second half of Dead Souls after a religious conversion convinced him that literature was paganism.
·Some of the thousand pages of William Burroughs’s original Naked Lunch were stolen and sold on the street by Algerian street boys.
·Sylvia Plath’s widower, Ted Hughes, claimed that the 130 pages of her second novel, perhaps based on their marriage, were lost after her death.
Whether destroyed (Socrates’ versions of Aesop’s Fables), misplaced (Malcolm Lowry’s Ultramarine was pinched from his publisher’s car), interrupted by the author’s death (Robert Louis Stevenson’s Weir of Hermiston), or simply never begun (Vladimir Nabokov’s Speak, America, a second volume of his memoirs), these missing links create a history of literature for a parallel world. Civilized and satirical, erudite yet accessible, The Book of Lost Books is itself a find.
弗洛伊德写过的关于文艺批评的东西很少,但是却对文艺批评产生了巨大影响,以至于一些观点已经成为永恒的经典,一些术语被赋予了约定俗称的含义。在弗洛伊德的文艺批评里曾经提到过作家的两种倾向:快乐追求和死亡冲动。作家的死亡冲动在作品中常常表现为一种毁灭感,无...
评分对西方文学了解不够,本书中除了一部分作者在过去有所耳闻或者看过他们的代表作(仅仅是代表作),大部分名字对我来说非常陌生,而对那些带有一丝熟悉感的作者们,本书所列的皆是他们的全名,不禁让我怀疑:这是我以为的那个人吗?不管怎么说,以上种种在我和这本书产生共...
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