The pioneering writer, Higuchi Ichiyo (1872-1896) has been described as "the last woman of old Japan," a consummate stylist of classical prose, whose command of the linguistic and rhetorical riches of the pre-modern tradition might suggest that her writings are relics of the past with no concern for the problems of modern life. Timothy Van Compernolle investigates the social dimensions of Ichiyo's artistic imagination and argues that she creatively reworked the Japanese literary tradition in order to understand, confront, and critique the emerging modernity of the Meiji period. For Ichiyo, the classical canon was a reservoir of tropes and paradigms that could be reshaped and renewed as a way to explore the socio-political transformations of the 1890s and cast light upon the human costs of modernization. Drawing critical momentum from the dialogical theory of Mikhail Bakhtin, the author explores in five of Ichiyo's best known stories how traditional rhetoric and literary devices are dialogically engaged with discourses associated with modernity within the pages of Ichiyo's narratives. In its close, sensitive readings of Ichiyo's oeuvre, "The Uses of Memory" not only complicates the scholarly discussion of her position in the Japanese literary canon, but also broaches larger theoretical issues.
具体描述
读后感
评分
评分
评分
评分
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有