This pioneering critical study of Pritchett and Trevor is intended for scholar and general reader alike. It is the first to draw on extensive, unpublished archival holdings, including manuscripts, notebooks, and correspondence. Tracing the growth of their short stories from initial idea through publication, it reveals how they create the "unsaid" element that gives the reader an interpretive role; explores their transformation of actual incidents and people into fiction, including those in their own lives; and discusses their important relationships with editors, especially those at the "New Yorker." Finally, in-depth comparisons of published stories show their contrasting approaches to shared themes, their apparent mutual influence, and the central role of fantasy in their work.
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