A study of tragedies, comedies, romances, and histories, this book examines the dynamic interplay of three concepts--gender, text, and habitat--as metaphors for cross-cultural definition. The book focuses on the cross-cultural experience, arguing that Shakespeare reinterprets, refashions, and reinscribes stage aliens such as Jews, Moors, Amazons and gypsies and thus interrogates a Eurocentric perspective and the caricatures that cultures create of one another. Writing in an accessible, compelling style, de Sousa recovers a wealth of information on race and gender relations in early modern Europe.
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