In a tour of Western culture that is at once exhilarating and alarming, Nelson shows us the distorted forms in which the spiritual resurfaced in high art but also, strikingly, in the mass culture of puppets, horror-fantasy literature and cyborgs: from the works of Kleist, Poe, Musil and Lovecraft to Philip K. Dick and virtual reality simulations. At the end of the millennium, discarding a convention of the demonized grotesque that endured 300 years, a demiurgic consciousness shaped in late antiquity is emerging anew to re-divinize the human as artists like Lars von Trier and Will Self reinvent expressionism in forms familiar to our pre-Reformation ancestors. Here as never before, we see how pervasively but unwittingly, consuming art forms of the fantastic, we allow ourselves to believe.
具体描述
读后感
评分
评分
评分
评分
用户评价
侧重文学传统和艺术传统的“人偶”研究，介乎学院和非学院之间吧，直面不太够，上溯也不够远啊。
评分侧重文学传统和艺术传统的“人偶”研究，介乎学院和非学院之间吧，直面不太够，上溯也不够远啊。
评分侧重文学传统和艺术传统的“人偶”研究，介乎学院和非学院之间吧，直面不太够，上溯也不够远啊。
评分侧重文学传统和艺术传统的“人偶”研究，介乎学院和非学院之间吧，直面不太够，上溯也不够远啊。
评分侧重文学传统和艺术传统的“人偶”研究，介乎学院和非学院之间吧，直面不太够，上溯也不够远啊。
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有