"If Freud turns to literature to describe traumatic experience, it is because literature, like psychoanalysis, is interested in the complex relation between knowing and not knowing, and it is at this specific point at which knowing and not knowing intersect that the psychoanalytic theory of traumatic experience and the language of literature meet."-from the Introduction In Unclaimed Experience, Cathy Caruth proposes that in the "widespread and bewildering experience of trauma" in our century-both in its occurrence and in our attempt to understand it-we can recognize the possibility of a history no longer based on simple models of straightforward experience and reference. Through the notion of trauma, she contends, we come to a new understanding that permits history to arise where immediate understanding is impossible. In her wide-ranging discussion, Caruth engages Freud's theory of trauma as outlined in Moses and Monotheism and Beyond the Pleasure Principle; the notion of reference and the figure of the falling body in de Man, Kleist, and Kant; the narratives of personal catastrophe in Hiroshima mon amour; and the traumatic address in Lecompte's reinterpretation of Freud's narrative of the dream of the burning child.
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Finally come to an end！
评分匆匆过了一遍
评分事实上真和trauma相关的很少，和LaCapra那本比起来真是表现功力不够...话说布鲁姆的那篇挺有意思的（虽然严重跑题），巴塔耶那个我真没看懂，其余的文章有些观点scintillating，但并未太深入，那两篇采访真是有点拉低质量...（虽然编者可能是打算扩大trauma的定义...）
评分把这么颠覆性的理论完全做了抒情式的理解 看得目瞪口呆 只能拿来当靶子使了
评分结合解构主义和心理分析批评方法阐述trauma的运作机制和文本症候。从中可以学到文学批评的具体操作方法和切入角度，比如作者在分析中选取的四个关键修辞格: departure, falling, burning, awakening。美中不足的是对真实历史的探讨。虽然书的标题包含历史，但具体论证时涉及的历史被抽象化，变成了parable或寓言，似乎降低了实证力度。
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