The Penn Commentary on Piers Plowman

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出版者:Univ of Pennsylvania Pr
作者:Galloway, Andrew
出品人:
页数:512
译者:
出版时间:2006-3
价格:$ 107.35
装帧:HRD
isbn号码:9780812239225
丛书系列:
图书标签:
  • Piers Plowman
  • Middle English Literature
  • Medieval Literature
  • Allegory
  • Christian Allegory
  • Social Commentary
  • Satire
  • Manuscript Studies
  • Literary Criticism
  • Langland
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具体描述

"A work of enormous importance. Of all the poems of the English Middle Ages, Piers Plowman is the one that most deserves and needs annotation of the fullest and best possible kind, both because it is a text of unrivaled literary quality and interest, and because it is characteristically knotty and deploys a language of unusual richness, density, and allusiveness. Much of this allusiveness is to areas of learning that are not at every modern reader's fingertips. A particular difficulty is the existence of the poem in three authorial versions of almost desperate complexity. It will be an immense triumph to have a commentary which elucidates their relationships as a matter of policy and not simply as the result of conflating annotation on the different versions."-Derek Pearsall The first full commentary on Piers Plowman since the late nineteenth century is inaugurated with the publication of the first two of its five projected volumes. The detailed and wide-ranging Penn Commentary places the allegorical dream-vision of Piers Plowman within the literary, historical, social, and intellectual contexts of late medieval England, and within the long history of critical interpretation of the poem, assessing past scholarship while offering original materials and insights throughout. The authors' line-by-line, section by section, and passus by passus commentary on all three versions of the poem and on the stages of its multiple revisions reveals new aspects of the poem's meaning while assessing and summarizing a complex and often divisive scholarly tradition. The volumes offer an up-to-date, original, and open-ended guide to a poem whose engagement in its social world is unrivaled in English literature, and whose literary, religious, and intellectual accomplishments are uniquely powerful. The Penn Commentary is designed to be equally useful to readers of the A, B, or C texts of the poem. It is geared to readers eager to have detailed experience of Piers Plowman and other medieval literature, possessing some basic knowledge of Middle English language and literature, and interested in pondering further the particularly difficult relationships to both that this poem possesses. Others, with interest in poetry of all periods, will find the extended and detailed commentary useful precisely because it does not seek to avoid the poem's challenges but seeks instead to provoke thought about its intricacy and poetic achievements. Andrew Galloway's Volume 1 treats the poem's first vision, from the Prologue through Passus 4, in all three versions, accepting the C text as the poet's final word but excavating downward through the earlier B and A texts. Stephen Barney's volume completes the framework for the commentary, dealing with the final three passus of the poem, extant only in the B and C versions. Subsequent volumes will be the work of Ralph Hanna, Traugott Lawler, and Anne Middleton. Overall, The Penn Commentary on Piers Plowman marks a new stage of concentrated yet wide-ranging attention to a text whose repeated revisions and literary and intellectual complexity make it both an elusive object of inquiry and a literary work whose richness has long deserved the capacious and minutely detailed treatment that only a full commentary can allow. Perhaps no poem in English appeals more than Piers Plowman to those readers who understand Yeats's "fascination with things difficult," yet The Penn Commentary will enable generations of readers to share in the pleasures and challenges of experiencing, engaging with, and trying to elucidate the difficulties of one of the towering achievements of English literature. Andrew Galloway is Professor of English and Medieval Studies at Cornell University.

《皮尔斯·普洛曼恩》是一部史诗般的十四行诗,由一位署名为威廉·兰格兰(William Langland)的匿名英国诗人创作。这部作品以其深远的道德、宗教和社会评论而闻名,是中世纪英国文学中最重要、最复杂、也最具影响力的文本之一。其篇幅宏大,叙事结构复杂,充满了象征、寓言和精心构建的视觉意象。 故事围绕着一个名叫皮尔斯·普洛曼恩(Piers Plowman,意为“犁手皮尔斯”)的人物展开,他被描绘成一个正直、虔诚的农民,渴望通过艰苦劳作和淳朴的生活来实现真正的救赎。然而,这部作品并非一个简单的农民的奋斗史,而是通过一系列的异象和梦境,深入探讨了当时英国社会面临的深刻问题。 作品的核心是一个对灵魂如何获得救赎的持续探索。兰格兰描绘了一个充满罪恶、腐败和欺骗的世界,教会、国家和个人都偏离了上帝的道路。皮尔斯·普洛曼恩成为了寻找真理、追求公义的象征,他试图在混乱的世界中找到一条通往天堂的道路。他的旅程并非一帆风顺,而是充满了挑战、诱惑和误导。他需要辨别真伪,克服内心的软弱,并抵制来自外部世界的邪恶力量。 《皮尔斯·普洛曼恩》以其对中世纪社会各个阶层的细致描绘而著称。作者毫不留情地批判了教士的腐败、贵族的傲慢、商人的贪婪以及普通人的愚昧。他对教会的批评尤为尖锐,揭示了教会内部存在的等级森严、贪污腐败和对世俗权力的过度追求。他呼唤一种更纯粹、更贴近基督福音的宗教实践,强调爱、谦卑和对他人的关怀。 作品中一个重要的部分是对“七宗罪”(Seven Deadly Sins)的生动描绘。兰格兰以拟人化的方式展现了傲慢、嫉妒、愤怒、懒惰、贪婪、贪食和淫欲这些罪恶,它们如同毒瘤般侵蚀着整个社会。皮尔斯·普洛曼恩的使命之一就是与这些罪恶作斗争,并试图引导人们摆脱它们的束缚。 作品的语言风格也极具特色。兰格兰采用了盎格鲁-撒克逊诗歌的传统,即头韵诗(alliterative verse),这使得诗歌读起来具有一种古老而庄重的韵律感。同时,他也在诗歌中融入了许多现代的法语和拉丁语词汇,反映了当时英语语言发展的特点。诗歌的叙事结构也并非线性的,而是通过一系列梦境、异象和对话来推进。这种结构上的复杂性,一方面增加了作品的艺术魅力,另一方面也使得其解读具有一定的难度。 《皮尔斯·普洛曼恩》不仅是一部文学作品,更是一部重要的历史文献。它为我们提供了理解十四世纪英国社会、宗教、经济和政治状况的宝贵视角。通过诗人的眼睛,我们可以看到当时人们的信仰、困惑、希望和绝望。作品中对农民生活、城市生活、教会组织、司法制度的描绘,都为历史学家提供了丰富的材料。 这部作品的另一个重要方面是对“真理”(Truth)的追求。皮尔斯·普洛曼恩所追求的“真理”并非抽象的哲学概念,而是与上帝的律法、基督的教导以及公平正义紧密相连。他渴望找到一条能够带领人类通往永恒幸福的道路,这条道路建立在虔诚、劳动和爱之上。 作品中还出现了许多寓言式的人物,例如“智者”(Wisdom)、“良心”(Conscience)、“圣经”(Holy Church)等,他们都在皮尔斯·普洛曼恩的探索过程中扮演着重要的角色,引导或考验着他。这些人物的对话和行为,进一步深化了作品的主题。 《皮尔斯·普洛曼恩》的几个不同版本(称为“A”文本、“B”文本和“C”文本)的存在,也增加了其研究的复杂性。这些版本在长度、细节和一些文本上的差异,表明了兰格兰可能在创作过程中不断地修改和扩展他的作品。学者们对这些版本的比较研究,不仅有助于理解作品的演变,也反映了作者对其思想的持续打磨。 这部作品的影响力是深远的。它在出版后便迅速传播,并在中世纪晚期和文艺复兴时期被广泛阅读和引用。它不仅影响了后来的英国文学,如乔叟的《坎特伯雷故事集》,也对当时的社会思想和宗教改革运动产生了一定的启示作用。皮尔斯·普洛曼恩作为一个文化符号,也成为了英国人心中关于勤劳、正直和追求公义的代表。 总而言之,《皮尔斯·普洛曼恩》是一部集道德寓言、社会批判、宗教反思和文学创新于一体的伟大作品。它以其深刻的思想内涵、生动的艺术描绘和独特的语言风格,在中世纪文学史上留下了不可磨灭的印记,至今仍吸引着无数读者和研究者去探索其丰富的意义。它所提出的关于人类救赎、社会正义和精神追求的问题,在跨越时空的今天,依然具有振聋发聩的力量。

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