Contemporary Italian Filmmaking 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Contemporary Italian Filmmaking

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Gieri, Manuela 作者
Univ of Toronto Pr
譯者
1995-1 出版日期
302 頁數
$ 34.97 價格
Pap
叢書系列
9780802069795 圖書編碼

Contemporary Italian Filmmaking 在線電子書 圖書標籤: LuigiPirandello  Film   


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Contemporary Italian Filmmaking 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Contemporary Italian Filmmaking 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Contemporary Italian Filmmaking 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



Contemporary Italian Filmmaking 在線電子書 用戶評價

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The laughter is a sign of an infinite grandeur and an infinite misery

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The laughter is a sign of an infinite grandeur and an infinite misery

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The laughter is a sign of an infinite grandeur and an infinite misery

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The laughter is a sign of an infinite grandeur and an infinite misery

評分

The laughter is a sign of an infinite grandeur and an infinite misery

Contemporary Italian Filmmaking 在線電子書 著者簡介


Contemporary Italian Filmmaking 在線電子書 著者簡介


Contemporary Italian Filmmaking 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Contemporary Italian Filmmaking 在線電子書 圖書描述

Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines 'humoristic'. She delineates a 'Pirandellian genealogy' in Italian cinema, literature, and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the 'new generation,' such as Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe Tornatore.A celebrated figure of the theatrical world, Luigi Pirandello (1867-1936) is little known beyond Italy for his critical and theoretical writings on cinema and for his screenplays. Gieri brings to her reading of Pirandello's work the critical parameters offered by psychoanalysis, poststructuralism, and postmodernism to develop a syncretic and transcultural vision of the history of Italian cinema. She identifies two fundamental trends of development in this tradition: the 'melodramatic imagination' and the 'humoristic,' or comic, imagination. With her focus on the humoristic imagination, Gieri describes a 'Pirandellian mode' derived from his revolutionary utterances on the cinema and narrative, and specifically, from his essay on humour, L'umorismo (On Humour, 1908). She traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello's interpretation of humour.

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