His name is synonymous with: independent film," and for more than twenty-five years filmmaker John Sayles has tackled issues ranging from race and sexuality to the abuses of capitalism and American culture, aspiring to a type of realism that Hollywood can rarely portray. This collection offers unprecedented coverage of Sayles's craft and content, as it employs a rich variety of critical methods to explore the full scope of his work. Together the essays afford a deeper understanding not only of the individual films--including his 1980
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