Silent Film Sound 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Silent Film Sound

简体网页||繁体网页
Altman, Rick 作者
Columbia Univ Pr
译者
2007-3 出版日期
480 页数
$ 39.55 价格
Pap
丛书系列
9780231116633 图书编码

Silent Film Sound 在线电子书 图书标签: 社会  电影理论  电影史  电影功课   


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发表于2024-11-25


Silent Film Sound 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Silent Film Sound 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Silent Film Sound 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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Because silent cinema is widely perceived as having been exactly that-silent-no one has fully examined how souns was used to accompany the films of this era. Silent Film Sound reconsiders all aspects of sound practices during the entire silent film period. Based on extensive origianl reserach and accompanied by gorgeous illustrations, the book challenges the assumptions of earlier histories of this period in film and reveals the complexity and swiftly changing nature of American silent cinema. Contrary to received opinion, silent films were not always accompanied, nor were accompaniments uniform. Beginning with sound practices before cinema's first decade and continuing through to the more familiar sound practices of the 1920s, Rick Altman discusses the variety of sound strategies and the way early cinema exhibitors used these strategies to differentiate their products. During the nickelodeon period prior to 1910, this variety reached its zenith, with theaters often deploying half a dozen competing sound strategies-from carniva-like music in the street, automatic pianos at the rear of the theater, and small orchestras in the pit to lecturers, synchronized sound systems, and voices behind the screen. During this period, musical accompaniment had not yet begun to support the story and its emotions as it would in later years. But in the 1910s, film sound acquiesced to the demands of the burgeoning cinema industry, who successfully argued that accompaniment should enhance film's narrative and emotional content rather than score points by burluesqiung or "kidding" the film. The large theaters and blockbuster productions of the mid-1910s provided a perfect crucible for new instruments, new music publication projects, and the development of a new style of film msuic. From that moment on, film music would become an integral part of the film rather than its adversary, and a new style of cinema sound would favor accompaniment that worked in concert with cinema story-telling. For the first time, Silent Film Sound details the ways in which these diverse intersts and industires cam together to produce an extraordinarily successful audiovisual art.

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