Maya Deren and the American Avant-Garde 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Maya Deren and the American Avant-Garde

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B Nichols 作者
University of California Press
译者
2001-10-1 出版日期
348 页数
GBP 27.00 价格
Paperback
丛书系列
9780520227323 图书编码

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Maya Deren and the American Avant-Garde 在线电子书 用户评价

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爱她 但读了她的理论觉得和电影表里不一 (trihn也是这样 文字和电影分开看都很爱 和在一起就觉得两个medium之间真的有壁 不断超越自己的理论甚至尽量实践已经很难了)

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爱她 但读了她的理论觉得和电影表里不一 (trihn也是这样 文字和电影分开看都很爱 和在一起就觉得两个medium之间真的有壁 不断超越自己的理论甚至尽量实践已经很难了)

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感谢在图书馆的书上做笔记的同学 爱你

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感谢在图书馆的书上做笔记的同学 爱你

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爱她 但读了她的理论觉得和电影表里不一 (trihn也是这样 文字和电影分开看都很爱 和在一起就觉得两个medium之间真的有壁 不断超越自己的理论甚至尽量实践已经很难了)

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Maya Deren and the American Avant-Garde 在线电子书 图书描述

Regarded as one of the founders of the postwar American independent cinema, the legendary Maya Deren was a poet, photographer, ethnographer, filmmaker and impresario. Her efforts to promote an independent cinema have inspired filmmakers for over fifty years. "Meshes of the Afternoon" (1943) ranks among the most widely viewed of all avant-garde films. The eleven essays gathered here examine Maya Deren's writings, films, and legacy from a variety of intriguing perspectives. Some address her relative neglect during the rise of feminist film theory; all argue for her enduring significance. The essays cast light on her aesthetics and ethics, her exploration of film form and of other cultures, her role as (woman) artist and as film theorist. "Maya Deren and the American Avant-Garde" also includes one of the most significant reflections on the nature of art and the responsibilities of the filmmaker ever written - Deren's influential but long out-of-print book, "An Anagram of Ideas on Art, Form and Film", in its entirety. Among the topics covered in this volume are Deren's ties with the avant-garde of her day and its predecessors; her perspective on vodoun ritual, possession ceremonies, and social harmony; her work in relation to the modern dance tradition and its racial inflections; her thoughts, written in the shadow of Hiroshima and Nagasaki, about science, including how form can embody moral principles; the complex issue of the 'woman artist' in an avant-garde dominated by men; her famous dispute with Anais Nin; and, an exploration of issues of identification and desire in her major films. As the first critical evaluation of the enduring significance of Maya Deren, this book clarifies the filmmaker's theoretical and cinematic achievements and conveys the passionate sense of moral purpose she felt about her art. It is a long-overdue tribute to one of the most important and least written about filmmakers in American cinema, an artist who formulated the terms and conditions of independent cinema that remain with us today.

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