First published in 1988, The Women Who Knew Too Much remains a classic work in film theory and criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic Master of Suspense. This new edition features a new chapter which considers the last 15 years of Hitchcock criticism as it relates to the ideas in this landmark book.
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讀後感
Tania Modleski Hitchcock, Feminisim, and Patriarchal Unconscious Introduction: 1. The introduction of the author Modleski. 2. The significance of Modleski's study of Hitchcock: shifts the ground(premise) of the debata on female spectatorship and the pleasur...
評分Tania Modleski Hitchcock, Feminisim, and Patriarchal Unconscious Introduction: 1. The introduction of the author Modleski. 2. The significance of Modleski's study of Hitchcock: shifts the ground(premise) of the debata on female spectatorship and the pleasur...
評分Tania Modleski Hitchcock, Feminisim, and Patriarchal Unconscious Introduction: 1. The introduction of the author Modleski. 2. The significance of Modleski's study of Hitchcock: shifts the ground(premise) of the debata on female spectatorship and the pleasur...
評分Tania Modleski Hitchcock, Feminisim, and Patriarchal Unconscious Introduction: 1. The introduction of the author Modleski. 2. The significance of Modleski's study of Hitchcock: shifts the ground(premise) of the debata on female spectatorship and the pleasur...
評分Tania Modleski Hitchcock, Feminisim, and Patriarchal Unconscious Introduction: 1. The introduction of the author Modleski. 2. The significance of Modleski's study of Hitchcock: shifts the ground(premise) of the debata on female spectatorship and the pleasur...
用戶評價
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评分Modleski一反film studies業界對Hitch“厭惡女人”的慣性看法，也不支持Hitch其實在作品裏深深同情女人在父權之下的迫害，她總結hitch的態度為thoroughgoing ambivalence. 非常同意。應該是每個研究Hitch或者對Hitchcock感興趣的影迷的必讀書籍吧
评分Modleski一反film studies業界對Hitch“厭惡女人”的慣性看法，也不支持Hitch其實在作品裏深深同情女人在父權之下的迫害，她總結hitch的態度為thoroughgoing ambivalence. 非常同意。應該是每個研究Hitch或者對Hitchcock感興趣的影迷的必讀書籍吧
评分Modleski一反film studies業界對Hitch“厭惡女人”的慣性看法，也不支持Hitch其實在作品裏深深同情女人在父權之下的迫害，她總結hitch的態度為thoroughgoing ambivalence. 非常同意。應該是每個研究Hitch或者對Hitchcock感興趣的影迷的必讀書籍吧
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