Style and Meaning 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Style and Meaning

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Gibbs, John (EDT)/ Pye, Douglas (EDT) 作者
Palgrave Macmillan
譯者
26 May 2005 出版日期
266 頁數
£15.19 價格
Pap
叢書系列
9780719065255 圖書編碼

Style and Meaning 在線電子書 圖書標籤: 電影批評  英國  電影  學術  study  film   


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Style and Meaning 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Style and Meaning 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Style and Meaning 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



Style and Meaning 在線電子書 用戶評價

評分

雷丁大學的批判波德維爾的會議論文集,兩位編者就貢布裏希拒絕“價值中立”的態度重判闡釋,主張開放批評的價值爭論,以具體的電影分析重視閤闡釋和評價為一體的批評活動,以 Perkins 探討電影中虛構世界概念的文章開篇。

評分

on *Happy Together* by Wong Kar-Wai, essay by Laura Mulvey on Douglas Sirk, essay on Max Ophuls by Steve Neale

評分

雷丁大學的批判波德維爾的會議論文集,兩位編者就貢布裏希拒絕“價值中立”的態度重判闡釋,主張開放批評的價值爭論,以具體的電影分析重視閤闡釋和評價為一體的批評活動,以 Perkins 探討電影中虛構世界概念的文章開篇。

評分

on *Happy Together* by Wong Kar-Wai, essay by Laura Mulvey on Douglas Sirk, essay on Max Ophuls by Steve Neale

評分

on *Happy Together* by Wong Kar-Wai, essay by Laura Mulvey on Douglas Sirk, essay on Max Ophuls by Steve Neale

Style and Meaning 在線電子書 著者簡介

John Gibbs is Senior Lecturer in Film and Television at the University of the Arts, London Douglas Pye is Senior Lecturer in Film in the Department of Film, Theatre and Television at the University of Reading


Style and Meaning 在線電子書 著者簡介


Style and Meaning 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Style and Meaning 在線電子書 圖書描述

Approaches to the detailed analysis of film and related questions about interpretation and value are once again being widely debated in film studies. Style and meaning is the first edited collection for many years to focus on these matters. All the essays centre on methods of close analysis and ground their discussion in the detail of individual films. With a common focus on the decisions made by film-makers, the writers explore different aspects of the relationship between textual detail and broader conceptual frameworks. The selection of texts has been made to reflect not only those areas of film history which have traditionally been explored through mise-en-scene criticism, but also areas such as the avant-garde and television drama which have not tended to receive such detailed investigation. In these ways, the book conducts a series of dialogues with issues in film study which are specifically provoked by close analysis.

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