Produced at the intersection of creative and critical practices, Trinh's films situate themselves between poetry and politics, art and theory, ficiton and documentary, and truth and fact. They resist the comfort of categorisation, and engage the reader in a reflective process of seeing, hearing and co-producing. Framer Frames brings together for the first time the scripts and detailed visuals of three of Trinh Minh-ha's provocative films: Reassemblage, Naked Spaces-Living is Round, and Surname Viet iIven Name Nam. Offering a large selection of related interviews in which the award-winning filmmaker and theorist discusses the specifics of visual creativity and the politics of documentary practice, Framer FramedIN addresses the more general questions of feminist, postcolonial and postmodernist art and culture.
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Difficult to read but very inspiring, both Trinh and her work
评分Difficult to read but very inspiring, both Trinh and her work
评分Difficult to read but very inspiring, both Trinh and her work
评分Difficult to read but very inspiring, both Trinh and her work
评分Difficult to read but very inspiring, both Trinh and her work
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