The earliest films made in Cuba--newsreel footage of the Cuban-Spanish-American War--date from the end of the nineteenth century, but Cuba cannot be said to have had an indigenous film industry before the revolution of 1959. Michael Chanan provides a comprehensive, authoritative, and absorbing account of Cuban cinema both before and after the revolution, deftly setting individual films and filmmakers within the larger framework of Cuba's social, political, and cultural history.
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