"Movement reporting on a par with Mailer's Armies of the Night"--Peter Linebaugh, author of Magna Carta Manifesto and The Many-Headed Hydra.Hold on tight as you open the pages of Born Under a Bad Sky and follow journalist Jeffrey St. Clair as he leads you through a landscape of horrors and wonders, scenery all the more strange because the setting is our own bruised world, in our own fraught era.Enter a world that is part Bosch and part Bierstadt. This is not only a savage philippic against the foulers of Nature's temple, but--and this is where St. Clair worthily follows in the tracks of Stegner and Abbey--an homage to the planet itself. There is beauty as well as horror here.These urgent dispatches are from the frontlines of the war on the Earth. Gird yourself for a visit to a glowing nuclear plant in the backwoods of North Carolina, to the heart of Cancer Alley where chemical companies hide their toxic enterprise behind the dark veil of Homeland Security, and to the world's most contaminated place, the old H-bomb factory at Hanford, which is leaking radioactive poison into the mighty Columbia River.With unflinching prose, St. Clair confronts the White Death in Iraq, the environmental legacy of a war that will keep on killing decades after the bombing raids have ended. He conjures up the environmental villains of our time, from familiar demons like James Watt and Dick Cheney to more surprising figures, including Supreme Court Justice Stephen Breyer (father of the cancer bond) and the Nobel laureate Al Gore, whose pieties on global warming are sponsored by the nuclear power industry. The mainstream environmental movement doesn't escape indictment. Bloated by grants from big foundations, perched in high-rent office towers, leashed to the neoliberal politics of the Democratic Party, the big green groups have largely acquiesced to the crimes against nature that St. Clair so vividly exposes.All is not lost. From the wreckage of New Orleans to the imperiled canyons of the Colorado, a new green resistance is taking root. The fate of the grizzly and the ancient forests of Oregon hinge on the courage of these green defenders. This book is also a salute to them."This is what the true West looks like. It's not for the faint of heart."--Susan Davis, author Spectacular Nature."Beautifully written "--Clancy Sigal, author Going Away, screenwriter Frida"Who else can combine Rachel Carson's wisdom, I.F. Stone's erudition and Edward Abbey's sass?"--Michael Colby, editor of Broadsides."The Upton Sinclair of Oregon City."--Jeff Baker, The Oregonian"A stunning, passionate book that takes you into the world where nature's beauty is being savaged by the corrupt industrial-political complex."--Kirkpatrick Sale, author After Eden: The Evolution of Human Domination"Born Under a Bad Sky provides a sense of hope as an antidote to the despair over what humans have done to the environment."--Paul Krassner, editor The Realist, author One Hand Jerking
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这本书的封面设计简直是一场视觉盛宴,色彩的运用大胆而富有张力,那种深邃的蓝色和突兀的红色交织在一起,仿佛在诉说着一个宏大而又充满矛盾的故事。初拿到手时,就被它沉甸甸的质感吸引住了,纸张的触感细腻而富有韧性,印刷的字体清晰有力,每一个字母都像是精心雕琢过的艺术品。光是翻阅前几页的排版和章节标题的设计,就能感受到作者和出版方在细节上的极致追求。那种艺术气息扑面而来,让人在真正进入故事之前,就已经对即将展开的叙事有了一种无声的敬畏。我特别欣赏作者在开篇选择的那个意象——一片被遗忘的古老地图,它不仅仅是地理上的标记,更像是一种命运的暗示,为后续人物的行动和冲突埋下了深刻的伏笔。整个前导部分,没有冗长的人物介绍,而是通过几个零散的、充满象征意义的场景片段,成功地在我的脑海中构建了一个复杂而引人入胜的世界观框架。这种“少即是多”的叙事手法,极大地激发了读者的想象力,迫使我们主动去填补那些留白的空白,使得阅读过程本身变成了一种主动的探索和构建。
评分这部作品在叙事节奏的把控上,展现出一种近乎鬼斧神工的娴熟老道。它不是那种一味追求速度的线性推进,而是像一位经验丰富的音乐家在演奏一首复杂的交响乐。有些章节的处理如同慢板,情感的张力在细微的对话和内心的挣扎中层层堆叠,每一次呼吸、每一个眼神的交汇都被拉长,直至达到令人窒息的临界点。紧接着,作者会突然切换到疾速的快板,一连串的突发事件接踵而至,动作场面描绘得淋漓尽致,读起来让人心跳加速,几乎需要停下来喘口气才能继续。这种对“张弛有度”的精妙拿捏,使得整部小说的阅读体验充满了动态的起伏感,避免了任何可能出现的审美疲劳。特别是当几个看似无关紧要的支线情节,在小说的中段以一种近乎完美的几何结构交汇融合时,那种豁然开朗的震撼感是极其强烈的。它证明了作者在布局之初,就已经将每一个元素都放置在了它最终应该出现的位置上,一切的铺垫并非偶然,而是精密计算的结果。
评分这本书成功地构建了一个宏大而又极具穿透力的主题探讨,它远远超越了单纯的娱乐范畴,直击人类生存的核心议题。小说巧妙地运用了“失落”与“寻找”作为核心母题,但这种“失落”并非仅仅是失去某件物品或某个人,它更指向一种集体记忆的断裂,一种文化根基的动摇。作者在探讨这些深层次议题时,没有采取枯燥的说教方式,而是将其完全融入了人物的命运和故事的走向之中。每一次的背叛、每一次的牺牲,都折射出对“何以为家”、“何以为真”的深刻追问。更难能可贵的是,它没有提供一个简单、现成的答案,而是将这个沉重的议题抛回给读者,让我们在合上书本后,依然能在自己的生活和周遭的世界中,持续地寻找那些碎片化的、可能存在的“意义”。这种开放式的、促人深思的结尾处理方式,使得这本书的生命力得以延续,它不是一个终点,而是一个全新的思考起点。
评分这部作品在语言风格上的创新性是其最显著的优点之一。作者似乎精通于熔铸各种截然不同的语域和声调。在描绘那些历史悠久、充满神秘色彩的场景时,文字会变得异常古典、富有仪式感,句子结构复杂而优美,充满了隐喻和象征,读起来仿佛是在聆听一篇古老的史诗。然而,一旦场景转换到现代的、充满压力的对话中,语言又会立刻变得犀利、简洁,充满了俚语和短促的节奏感,准确地捕捉了当代人交流中的疏离与紧张。这种语言的“变色龙”特性,极大地丰富了阅读的层次感。它要求读者不断地调整自己的“接收模式”,这是一种对智力和情感的双重挑战。我尤其喜欢作者在描述环境气氛时,那种对感官细节的极致捕捉,空气中泥土的腥味、微弱的灯光在潮湿墙壁上投下的晃动阴影,都被捕捉得丝丝入扣,使得抽象的情感体验转化为了具体的、可触摸的现实。
评分探讨角色的深度和复杂性,这本书无疑达到了一个令人惊叹的高度。这里的人物绝非传统意义上的“好人”或“坏蛋”,他们是活生生的矛盾体,被内在的欲望、无法逃脱的社会压力以及过去难以磨灭的创伤所塑造。我尤其对主角面对道德困境时的内心挣扎印象深刻。他所做出的每一个选择,都像是在一堆同样糟糕的选项中挑选“最不坏”的那一个,这种清醒的悲剧性让人感到无比的真实和沉重。作者没有急于为角色的行为提供简单的道德标签,而是深入挖掘了驱动他们行为的深层心理机制——那种对权力、救赎或仅仅是生存的原始渴望。书中对次要人物的刻画也毫不含糊,即便是昙花一现的角色,也拥有自己完整的情感光谱和未被满足的梦想,他们并非推动情节的工具人,而是构成这个世界真实肌理的鲜活细胞。读完之后,你不会觉得你只是认识了他们,而是仿佛与之共同经历了一场漫长而艰难的人生旅程。
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