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Pentatonicism from the Eighteenth Century to Debussy (Eastman Studies in Music) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Pentatonicism from the Eighteenth Century to Debussy (Eastman Studies in Music)
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Jeremy Day-O'Connell 作者
University of Rochester Press
譯者
2007-08-01 出版日期
529 頁數
USD 85.00 價格
Hardcover
叢書系列
9781580462488 圖書編碼

Pentatonicism from the Eighteenth Century to Debussy (Eastman Studies in Music) 在線電子書 圖書標籤: Pentatonicism   

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Pentatonicism from the Eighteenth Century to Debussy (Eastman Studies in Music) 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Pentatonicism from the Eighteenth Century to Debussy (Eastman Studies in Music) 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Pentatonicism from the Eighteenth Century to Debussy (Eastman Studies in Music) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


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Pentatonicism from the Eighteenth Century to Debussy (Eastman Studies in Music) 在線電子書 著者簡介

Pentatonicism from the Eighteenth Century to Debussy (Eastman Studies in Music) 在線電子書 著者簡介

Pentatonicism from the Eighteenth Century to Debussy (Eastman Studies in Music) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Pentatonicism from the Eighteenth Century to Debussy (Eastman Studies in Music) 在線電子書 圖書描述

Pentatonicism from the Eighteenth Century to Debussy offers the first comprehensive account of a widely recognized aspect of music history: the increasing use of pentatonic ("black-key scale") techniques in nineteenth-century Western art-music. Pentatonicism in nineteenth-century music encompasses hundreds of instances, many of which predate by decades the more famous examples of Debussy and DvorAk. This book weaves together historical commentary with music theory and analysis in order to explain the sources and significance of an important, but hitherto only casually understood, phenomenon. The book introduces several distinct categories of pentatonic practice -- pastoral, primitive, exotic, religious, and coloristic -- and examines pentatonicism in relationship to changes in the melodic and harmonic sensibility of the time. The text concludes with an additional appendix of over 400 examples, an unprecedented resource demonstrating the individual artistry with which virtually every major nineteenth-century composer (from Schubert, Chopin, and Berlioz to Liszt, Wagner, and Mahler) handled the seemingly "simple" materials of pentatonicism. Jeremy Day-O'Connell is assistant professor of music at Knox College.

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