This volume explores the strange and commonly misunderstood relationship between jazz music and the film noire genre. Jazz has been associated with crime and immorality since early forms of the music were heard in the brothels of New Orleans and the ganster-owned clubs of the 1920s. This association encouraged the use of jazz in film noir, a genre preoccupied with tales of anxiety and urban decay, which flourished in American cinema during the postwar period. Making significant use of archival sources and documentation, this book seeks to examine this "collaboration", placing the films discussed in their proper historical context and utilizing an interdisciplinary approach that gives equal weight to the films - including such notables as "Phantom Lady", "I Want to Live!" and "Taxi Driver" - and to the indelible music that accompanied them.
具体描述
读后感
评分
评分
评分
评分
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有