Pirandello (1867-1936) is the founding architect of twentieth-century drama, brilliantly innovatory in his forms and themes, and in the combined energy, imagination and visual colours of his theatre. This volume of plays, translated from the Italian by Mark Musa, opens with Six Characters in Search of an Author, Pirandello's most popular and controversial work in which six characters invade the stage and demand to be included in the play. The tragedy "Henry IV" dramatizes the lucid madness of a man who may be King. In "So It Is (If You Think So)", the townspeople exercise a morbid curiosity attempting to discover 'the truth' about the Ponza family. Each of these plays can lay claim to being Pirandello's masterpiece, and in exploring the nature of human personality each one stretches the resources of drama to their limits.
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所謂的“角色自己的真實”不是逃避邏輯混亂的藉口。邏輯本可以很清楚你自己沒搞清楚還洋洋得意的講玄學就很糟糕瞭。自我矛盾的設定給任何嚴肅的理解帶來混亂,這是童話,不是戲劇。
评分所謂的“角色自己的真實”不是逃避邏輯混亂的藉口。邏輯本可以很清楚你自己沒搞清楚還洋洋得意的講玄學就很糟糕瞭。自我矛盾的設定給任何嚴肅的理解帶來混亂,這是童話,不是戲劇。
评分所謂的“角色自己的真實”不是逃避邏輯混亂的藉口。邏輯本可以很清楚你自己沒搞清楚還洋洋得意的講玄學就很糟糕瞭。自我矛盾的設定給任何嚴肅的理解帶來混亂,這是童話,不是戲劇。
评分所謂的“角色自己的真實”不是逃避邏輯混亂的藉口。邏輯本可以很清楚你自己沒搞清楚還洋洋得意的講玄學就很糟糕瞭。自我矛盾的設定給任何嚴肅的理解帶來混亂,這是童話,不是戲劇。
评分所謂的“角色自己的真實”不是逃避邏輯混亂的藉口。邏輯本可以很清楚你自己沒搞清楚還洋洋得意的講玄學就很糟糕瞭。自我矛盾的設定給任何嚴肅的理解帶來混亂,這是童話,不是戲劇。
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