Joel Walker Sweeney was, in essence, the Elvis Presley of the 1840s. A professional banjo player, Sweeney introduced mainstream America to a music (and musical instrument) which had its roots in the transplanted black culture of the southern slave. Beginning with the banjo's introduction to America and Great Britain, the book provides an overview of early banjo music. The volume then discusses the evolution of American minstrelsy (i.e., black face) and the opportunities it provided for artists such as Sweeney. Correcting previous fallacies and misconceptions (such as Sweeney's supposed development of the five-string banjo), the work discusses Sweeney's roots, his music and his contribution to the physical development of the instrument. An appendix contains a performance chronology. The work is also indexed.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有