Robin Mitchell-Boyask is Associate Professor of Classics at Temple University and has been a Junior Fellow at the Center for Hellenic Studies and a Visiting Fellow at Wolfson College, Cambridge University. He has published numerous articles on Greek and Latin literature as well as Approaches to Teaching the Dramas of Euripides (MLA 2002). He is currently completing a book on the plague of Athens and Greek drama.

Euripides’ Hecuba is one of the few tragedies that evoke a sense of utter desolation and destruction in the audience. The drama focuses on the status of women, those who are out of power and at the margins of society, by enacting the sufferings of Hecuba. With the city of Troy fallen, Hecuba and Polyxena, her daughter, are enslaved to Odysseus. Hecuba is despondent with the news that Polyxena is chosen to be sacrificed at the tomb of Achilles. After the sacrifice, the body of her son Polydorus, already a ghost at the start of the drama, is discovered. Polymestor, a king in Thrace and Hecuba’s son-in-law, murdered Polydorus for his gold. With the tacit complicity of Agamemnon, Hecuba plots her revenge against Polymestor. What transpires next has lasting implications for all involved, including a dramatic trial scene and Hecuba’s ultimate metamorphosis.