American Popular Music

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出版者:Oxford Univ Pr
作者:Starr, Larry/ Waterman, Christopher Alan
出品人:
页数:345
译者:
出版时间:2006
价格:371.00 元
装帧:Pap
isbn号码:9780195300529
丛书系列:
图书标签:
  • 美国流行音乐
  • 流行音乐
  • 音乐史
  • 音乐文化
  • 美国文化
  • 音乐
  • 历史
  • 文化
  • 社会
  • 艺术
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具体描述

American Popular Music: A Journey Through Sound and Culture American popular music is more than just a collection of songs; it's a vibrant tapestry woven from the diverse threads of American history, culture, and innovation. From the soulful melodies that echoed through speakeasies to the electrifying beats that fueled stadium concerts, popular music has consistently reflected and shaped the American experience. This exploration delves into the dynamic evolution of American popular music, tracing its roots and highlighting the genres, artists, and social forces that have propelled it onto the global stage. The Genesis of American Sound (Late 19th Century - Early 20th Century) The seeds of American popular music were sown in the fertile ground of American folk traditions. African American musical forms, such as spirituals, blues, and work songs, provided a foundational rhythmic and melodic language. European influences, including classical, folk, and military band music, also contributed to the emerging soundscape. The late 19th century saw the rise of several key genres that would lay the groundwork for popular music as we know it. Ragtime: Characterized by its syncopated rhythms and piano-driven melodies, ragtime emerged in the 1890s. Scott Joplin, often hailed as the "King of Ragtime," brought this infectious style to prominence with compositions like "The Entertainer" and "Maple Leaf Rag." Ragtime music was a vibrant, upbeat sound that captured the spirit of a rapidly changing America, finding a home in parlors, dance halls, and even early phonograph recordings. Its intricate piano figures and lively tempo made it a sensation, influencing later jazz musicians. Vaudeville and Tin Pan Alley: The burgeoning entertainment industry of the era, particularly vaudeville, provided a crucial platform for songwriters and performers. Tin Pan Alley, a nickname for the cluster of music publishers and songwriters in New York City, became the engine of popular song creation. Composers like George M. Cohan ("Yankee Doodle Boy") and Irving Berlin ("Alexander's Ragtime Band," "God Bless America") churned out catchy tunes that dominated sheet music sales and became the soundtrack to everyday American life. These songs often dealt with themes of love, patriotism, and everyday aspirations, resonating with a broad audience. The Blues: Born from the experiences of African Americans in the rural South, the blues is a deeply expressive genre characterized by its melancholic melodies, call-and-response patterns, and the use of blue notes. Early blues pioneers like Bessie Smith, known as the "Empress of the Blues," brought this raw and emotional music to wider audiences through recordings. The blues captured the hardships and resilience of its creators, offering solace and catharsis. Its influence on subsequent genres like jazz and rock and roll is immeasurable, providing essential harmonic and melodic structures. The Jazz Age and the Swing Era (1920s - 1940s) The 1920s, often dubbed the "Jazz Age," witnessed the explosion of jazz music, a genre that blended African American musical traditions with European harmonies and instrumentation. New Orleans, Chicago, and New York City became hotbeds of jazz innovation. Early Jazz and the Roaring Twenties: Louis Armstrong, a virtuoso trumpeter and vocalist, revolutionized jazz with his improvisational brilliance and charismatic stage presence. His recordings with his Hot Five and Hot Seven groups established new standards for solo improvisation and instrumental technique. Jazz became the soundtrack to the Roaring Twenties, symbolizing a spirit of rebellion, freedom, and experimentation. The Swing Era: From the mid-1930s to the mid-1940s, swing music dominated the American popular music scene. Big bands, led by charismatic bandleaders like Duke Ellington, Benny Goodman, and Count Basie, filled ballrooms with their infectious, danceable rhythms and intricate arrangements. Swing music provided an escapism during the Great Depression and World War II, offering a sense of joy and unity. Duke Ellington, in particular, elevated jazz to an art form with his sophisticated compositions and innovative orchestral arrangements. Benny Goodman, the "King of Swing," helped bring jazz to mainstream white audiences. The Rise of Country and Western, and the Birth of Rock and Roll (1940s - 1950s) As swing began to wane, other genres started to gain momentum, laying the groundwork for the musical revolution of the 1950s. Country and Western Music: Emerging from the folk traditions of the American South and Southwest, country music developed its distinct sound with storytelling lyrics and instrumentation like steel guitar and fiddle. Artists like Hank Williams ("Your Cheatin' Heart," "Hey, Good Lookin'") became icons of the genre, their heartfelt songs resonating with working-class audiences. Western swing, a fusion of country and jazz elements, also gained popularity. Rhythm and Blues (R&B): Building on the foundations of blues and gospel music, R&B emerged as a vibrant, energetic genre. Artists like Muddy Waters and Chuck Berry infused their music with electric guitars and driving rhythms, creating a sound that would profoundly influence rock and roll. Chuck Berry's electrifying guitar riffs and captivating stage presence were particularly influential. The Birth of Rock and Roll: In the mid-1950s, a seismic shift occurred with the explosion of rock and roll. This genre, a potent fusion of R&B, country, and gospel, captured the restless energy and rebellious spirit of a new generation. Elvis Presley, the "King of Rock and Roll," became a global phenomenon, his charismatic performances and unique vocal style captivating millions. Other pioneers like Little Richard, Buddy Holly, and Jerry Lee Lewis further defined the genre with their energetic music and distinctive personalities. Rock and roll was more than just music; it was a cultural movement that challenged societal norms and redefined youth culture. The British Invasion, Soul Music, and the Folk Revival (1960s) The 1960s were a decade of immense social and cultural change, and popular music mirrored this upheaval. The British Invasion: In 1964, The Beatles arrived in America, sparking the "British Invasion" and forever changing the landscape of popular music. Their innovative songwriting, diverse musical influences, and undeniable charm propelled them to superstardom. Following in their footsteps were other influential British bands like The Rolling Stones, The Who, and The Kinks, each contributing their unique sounds and perspectives. Soul Music: Emerging from the African American community, soul music blended gospel fervor with the raw emotion of blues and R&B. Motown Records, founded by Berry Gordy Jr., became a powerhouse of soul music, producing a string of hits from artists like The Supremes, Stevie Wonder, Marvin Gaye, and The Temptations. Stax Records in Memphis also produced iconic soul music with artists like Otis Redding and Sam & Dave, offering a grittier, more raw sound. Soul music's uplifting messages and powerful vocals resonated deeply with audiences, becoming a soundtrack to the Civil Rights Movement. The Folk Revival: The 1960s also saw a resurgence of folk music, championed by artists like Bob Dylan, Joan Baez, and Peter, Paul and Mary. These artists used their music to address social and political issues, providing a voice for protest and change. Bob Dylan, in particular, became a pivotal figure, his poetic lyrics and distinctive vocal delivery influencing generations of musicians. Diversification and Innovation (1970s - 1980s) The 1970s and 1980s witnessed an unprecedented diversification of popular music, with new genres emerging and existing ones evolving. The Rise of Funk, Disco, and Punk: Funk music, pioneered by James Brown and Parliament-Funkadelic, emphasized a strong rhythmic groove and basslines. Disco music, characterized by its four-on-the-floor beat and orchestral arrangements, dominated dance floors and became a cultural phenomenon. In contrast, punk rock emerged as a raw, energetic, and anti-establishment reaction, with bands like The Ramones and The Sex Pistols challenging musical conventions. Hard Rock and Heavy Metal: Building on the foundations of rock and roll, hard rock and heavy metal genres emerged with amplified guitars, powerful drumming, and often darker lyrical themes. Bands like Led Zeppelin, Black Sabbath, and later, Metallica, became hugely influential, pushing the boundaries of volume and intensity. New Wave and Synth-Pop: The late 1970s and 1980s saw the rise of New Wave and synth-pop, characterized by their use of synthesizers, electronic beats, and often experimental or quirky aesthetics. Artists like Depeche Mode, Duran Duran, and Eurythmics found massive success, bringing electronic sounds to the forefront of popular music. The Hip-Hop Revolution: The 1980s marked the explosion of hip-hop music, a genre born from the urban street culture of the Bronx. Combining rhythmic spoken-word vocals (rapping) with DJing, sampling, and breakdancing, hip-hop artists like Run-DMC, Public Enemy, and N.W.A. created a powerful new form of musical expression that addressed social issues and celebrated Black culture. The Digital Age and Global Influence (1990s - Present) The advent of digital technology and the internet has profoundly impacted how music is created, distributed, and consumed. Alternative Rock and Grunge: The 1990s saw the mainstream success of alternative rock and grunge, a subgenre of alternative rock characterized by its distorted guitars, introspective lyrics, and DIY ethos. Bands like Nirvana, Pearl Jam, and Soundgarden achieved massive commercial success, reflecting a shift in popular taste. Pop Music's Evolution: Pop music continued to evolve, with artists like Mariah Carey, Britney Spears, and Justin Timberlake dominating the charts. The genre became increasingly diverse, incorporating influences from R&B, hip-hop, and electronic dance music. The Internet and Music Streaming: The rise of the internet and music streaming services has democratized music distribution, allowing independent artists to reach global audiences. This has led to an unprecedented level of musical diversity and accessibility. Genres like electronic dance music (EDM), indie rock, and various global music fusions continue to gain popularity. American popular music, in its multifaceted and ever-changing nature, stands as a testament to the nation's cultural dynamism. It has been a vehicle for social commentary, a source of joy and rebellion, and a unifying force across generations. This journey through its history reveals a continuous dialogue between artists, audiences, and the broader societal context, ensuring that the story of American popular music is one that will continue to be written, reimagined, and celebrated.

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这本《American Popular Music》简直是一场音乐的盛宴,让我沉浸在美国流行音乐的浩瀚海洋中,久久不能自拔。我原本对流行音乐的了解仅限于一些耳熟能详的歌曲和明星,但这本书彻底颠覆了我以往的认知。作者以极其细腻的笔触,描绘了美国流行音乐的演进脉络,从早期的布鲁斯、爵士,到摇滚、乡村,再到嘻哈、电子舞曲,每一个时期、每一个流派都得到了详尽的阐述。我尤其惊叹于作者对不同音乐风格起源的追溯,以及它们如何相互影响、融合,最终塑造了我们今天所熟知的流行音乐图景。书中不仅有对音乐本身的深度剖析,还穿插了大量的时代背景、社会文化以及音乐人故事,让我在品味音乐的同时,也能深刻理解音乐背后的时代精神和人文情感。比如,在谈到摇滚乐的兴起时,作者不仅仅列举了那些划时代的歌曲和乐队,更是深入分析了当时的社会动荡、青年文化的觉醒,以及摇滚乐如何成为一代人反叛精神的载体。读完之后,我感觉自己仿佛经历了一场穿越时空的音乐之旅,对美国流行音乐的理解上升到了一个全新的高度,也对未来的音乐发展充满了期待。

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《American Popular Music》这本书,对于我这样一个对美国流行音乐有着浓厚兴趣但又缺乏系统性了解的读者来说,无疑是一次及时雨。这本书的编排结构非常合理,从早期根源性的音乐风格,一路讲到当代的最新潮流,条理清晰,脉络分明。我特别喜欢作者在描述每一个音乐流派时,所采用的那种循序渐进、层层递进的方式,让我在理解一个新概念时,不会感到突兀或困惑。书中的案例分析也非常到位,每一个重要的音乐事件、每一个具有代表性的艺术家,都被作者赋予了鲜活的生命。我能够清晰地感受到,作者对这个主题的热情是如此的饱满,他对每一个细节的关注都体现了他的专业功底。读这本书,让我不仅对美国流行音乐的历史有了全面的认识,更重要的是,它引导我学会了如何去更深入地欣赏音乐,如何去辨别不同音乐风格的特质,以及如何去理解音乐背后的文化意义。这本书绝对是我书架上不可或缺的一本音乐宝典。

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我一直认为,要真正理解一个文化,就必须从它的音乐入手。《American Popular Music》恰恰满足了我这一需求。这本书以一种极其宏大的视角,勾勒出了美国流行音乐波澜壮阔的发展历程。作者的叙事方式非常有吸引力,他能够将枯燥的音乐史实,转化为引人入胜的故事。我尤其欣赏书中对那些被历史洪流淹没但却极具影响力的音乐人和作品的挖掘和梳理,这让我认识到,流行音乐的发展并非是简单的线性前进,而是充满了无数的创新、尝试和偶然。书中对不同文化群体在流行音乐发展中所扮演角色的强调,也让我对美国社会多元化的本质有了更深的认识。例如,关于拉丁音乐在美国流行乐中的地位,以及它如何与主流音乐产生碰撞与融合,给我留下了深刻的印象。这本书让我意识到,流行音乐不仅仅是简单的旋律和节奏,它更是不同文化交流、融合的产物,是社会力量和个体创造共同作用的结果。

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《American Popular Music》这本书,与其说是一本音乐史,不如说是一部关于美国文化和社会变迁的生动史诗。我之所以这么说,是因为作者在梳理音乐发展的线索时,绝不仅仅局限于音乐本身,而是将音乐与当时的社会思潮、政治环境、经济发展以及技术进步紧密地联系在一起。这一点让我印象尤为深刻。比如,书中关于电子音乐的章节,不仅仅探讨了合成器等技术革新如何改变了音乐的创作方式,更深入地分析了互联网的普及如何重塑了音乐的传播和消费模式,以及这些变化如何反映了当代社会信息爆炸、去中心化的趋势。这种跨学科的视角,使得这本书的阅读体验更加丰富多元,让我能够从更宏观的层面去理解流行音乐在美国社会中的地位和影响力。它不仅仅是娱乐,更是时代精神的镜子,是社会情绪的放大器。读完这本书,我感觉自己对美国社会的理解也更加深入了,仿佛通过音乐这扇窗户,窥见了美国社会脉搏的跳动。

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坦白说,最初拿到《American Popular Music》这本书时,我抱持着一种半信半疑的态度。市面上关于音乐的书籍层出不穷,很多都流于表面,充斥着泛泛而谈的赞美之词。然而,这本书却给了我一个巨大的惊喜。它没有用华丽的辞藻去堆砌,而是以一种非常扎实、严谨的学术态度,为读者呈现了一个全面而深入的美国流行音乐世界。书中对不同音乐流派的界定清晰明确,对代表性的艺术家和作品的分析鞭辟入里,仿佛作者就是一位经验丰富的音乐策展人,将最精华的部分一一呈现。我特别喜欢作者在处理不同流派之间的关系时所展现出的敏锐洞察力,他能够精准地捕捉到它们之间的传承与断裂,以及在时代变迁中所产生的化学反应。读这本书的过程,就像是在进行一场深度访谈,作者的文字引导着我,去探索音乐的起源,去理解音乐的演变,去感受音乐所承载的时代信息。更重要的是,这本书不仅仅是知识的传授,它还激发了我对音乐更深层次的思考,让我开始审视自己对音乐的品味,以及音乐在我生活中所扮演的角色。

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