In his study Irish Influences on Korean Theatre during the 1920s and 1930s, Won-Jae Jang alerted scholars to a previously unexamined example of intercultural exchange in which Korean scholars looked to Irish writers and especially Irish dramatists to help them find a way of freeing themselves from the cultural imperialism of Japan. They studied the stated aims of Yeats, Lady Gregory and Synge in founding an Irish National Theatre Movement to gain independence from the dominance of English drama, read translations of their plays as well as some by O'Casey and T. C. Murray, and decided to follow that example, first by adaptations, then imitations and finally with original dramas that nonetheless reveal a profound debt to distinct Irish models. The three plays by Chi-Jin Yoo (the centenary of whose birth is celebrated in 2005) that are contained in this volume belong to this last group. In them he focuses on the lives of the deprived and the impoverished, country people struggling to maintain a degree of security if only to retain some vestige of human dignity. In this he follows the Irish realist tradition rather than the Yeatsian preoccupation with the legendary and the heroic. Won-Jae Jang offers the reader literal translations from the Korean, the better to respect the raw energy of the original dramas, into which Chi-Jin Yoo welded a surprising variety of influences from Irish playwrights. As well as the three plays, The Cow, The Mud Hut and The Donkey, also published here is an article by Yoo, "Sean O'Casey and I," which shows the major influence that O'Casey in particular had on his work. Professor Richard Allen Cave of Royal Holloway, University of London, has provided an informative introduction.
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评分说实话,拿到《Three Plays》的时候,我对于具体内容并没有太多的预设。我更倾向于一种“裸”阅读,即在没有任何先入为主的观念下,去感受作者想要传达的信息。剧本这种文学形式,其魅力在于它能够直接呈现人物之间的对话、行动以及舞台上的张力。我希望这三部剧能够有各自独特的风格和主题,但同时又能在我心中形成一种相互映衬、互为补充的整体感。我期待着它们能够涵盖不同的人生境遇,展现多样化的社会议题,或者在叙事手法上有所创新。或许会有尖锐的社会批判,或许会有细腻的情感刻画,又或许会有超现实的想象。我只是一个普通的读者,我希望我的阅读过程是流畅的,但同时又能获得一些启发,一些思考,一些能够在我日常生活中产生回响的东西。
评分刚收到《Three Plays》这本期待已久的剧本集,迫不及待地翻阅。首先吸引我的是其精美的装帧,硬质封面带着一种沉甸甸的质感,内页纸张的触感也十分舒适,无论是陈列还是阅读,都给人一种物有所值的感觉。我对剧本的兴趣由来已久,尤其钟爱那些能够深入探讨人性,又兼具艺术张力的作品。我一直在寻找那些能让我沉浸其中,思考良久,甚至在合上书本后仍能回味无穷的剧作。这次的《Three Plays》究竟会给我带来怎样的惊喜,我充满了好奇和期待。我希望这些剧本能够挑战我的认知,触动我的情感,提供新的视角去理解世界和我们自身。书中的每一个标点,每一个段落,都可能隐藏着作者精心设计的深意,等待着我去发掘。这次的阅读体验,我想会是一场智力与情感的双重冒险。
评分《Three Plays》这本书,对我来说,更像是一次与不同灵魂的对话。剧本的魅力在于它提供了角色的“声音”,让我们可以通过他们的言语和行动去窥探他们的内心世界。我希望这三部作品能够塑造出鲜活、立体的人物形象,他们的情感纠葛、人生选择,都能让我感同身受,甚至在某些时刻,让我看到自己的影子。我期待着这些人物能够经历深刻的转变,他们的命运能够牵动我的心弦。我希望作者能够用精炼的语言,精准地捕捉人类情感的微妙之处,将那些难以言说的感受,通过戏剧化的冲突和对话,淋漓尽致地展现出来。这本书,对我来说,不仅仅是阅读,更是一场心灵的旅程,一次对人性的深刻探索。
评分我一直认为,优秀的剧本不仅仅是故事的载体,更是对生活的一种提炼和升华。在《Three Plays》中,我期待着能够看到作者如何将复杂的生活片段,浓缩成精悍的戏剧冲突,并通过人物的互动,揭示出隐藏在表象之下的深刻含义。我希望这些剧作能够有普适性,能够超越特定的文化背景和时代,引起不同读者的共鸣。我特别关注剧本的结构和节奏,一个好的剧本应该能够自然而流畅地展开,并在关键时刻制造出令人屏息的张力,最终达到情感的高潮。我希望这本书能够带给我一种“读完仍意犹未尽”的感觉,让我反复咀嚼其中的细节,从中获得更深层次的理解。
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