Bach and the Pedal Clavichord 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Bach and the Pedal Clavichord

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Speerstra, Joel 作者
Boydell & Brewer Inc
譯者
出版日期
280 頁數
$ 79.10 價格
HRD
叢書系列
9781580461351 圖書編碼

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發表於2024-11-09

Bach and the Pedal Clavichord 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Bach and the Pedal Clavichord 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Bach and the Pedal Clavichord 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Bach and the Pedal Clavichord 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

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Original and brilliant study...Anyone interested in keyboard instruments of any kind will find in it a great fund of information and insight into matters of general musical interest, especially the performance of Bach's music. EARLY MUSIC TODAY Friederich Griepenkerl, in his 1844 introduction to Volume 1 of the first complete edition of J. S. Bach's organ works, wrote: "Actually the six Sonatas and the Passacaglia were written for a clavichord with two manuals and pedal, an instrument that, in those days, every beginning organist possessed, which they used beforehand, to practice playing with hands and feet in order to make effective use of them at the organ. It would be a good thing to let such instruments be made again, because actually no one who wants to study to be an organist can really do without one." What was the role of the pedal clavichord in music history? Was it a cheap practice instrument for organists or was Griepenkerl right? Was it a teaching tool that helped contribute to the quality of organ playing in its golden age? Most twentieth-century commentary on the pedal clavichord as an historical phenomenon was written in a kind of vacuum, since there were no playable historical models with which to experiment and from which to make an informed judgment. At the heart of Bach and the Pedal Clavichord: An Organist's Guide are some extraordinary recent experiments from the GAteborg Organ Art Center (GOArt) at GAteborg University. The Johan David Gerstenberg pedal clavichord from 1766, now in the Leipzig University museum, was documented and reconstructed; the new copy was then used for several years as a living instrument for organ students and teachers to experience. On the basis of these experiments and experiences, the book explores, in new and artful ways, Bach's keyboard technique, a technique preserved by his first biographer, J. N. Forkel (1802), and by Forkel's own student, Griepenkerl. It also sifts and weighs the assumptions and claims made for and aga

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