Gunther Schuller is one of America's leading contemporary composers, conductors, and musicologists. He has become increasingly dismayed about the way contemporary orchestra leaders have been ignoring the composer's intentions in playing the basic concert repertory from the mid-nineteenth century to the present. In this controversial new book, Schuller puts forth his own principles of conducting, and then analyses in detail several classical masterpieces, comparing the composers' original notation to the way conductors interpret them. Showing ways in which current orchestra and conducting standards can be radically improved, this book is an indictment of contemporary musical trends and an incisive study of the dialogue between composition and performance.
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颇具启发。另，在这里作者最推崇的似乎是被我国广大五线谱都认不全的版本比较帝们认为"平淡"、“无趣”、“死气沉沉”、“毫无个性”、“录音录得多有个屌用”的Bernard Haitink老师。
评分颇具启发。另，在这里作者最推崇的似乎是被我国广大五线谱都认不全的版本比较帝们认为"平淡"、“无趣”、“死气沉沉”、“毫无个性”、“录音录得多有个屌用”的Bernard Haitink老师。
评分同意他的所有关于指挥的看法
评分颇具启发。另，在这里作者最推崇的似乎是被我国广大五线谱都认不全的版本比较帝们认为"平淡"、“无趣”、“死气沉沉”、“毫无个性”、“录音录得多有个屌用”的Bernard Haitink老师。
评分同意他的所有关于指挥的看法
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